Exam 31: Modernism and Postmodernism in Europe and America, 1945 to 1980
Exam 1: Art in the Stone Age50 Questions
Exam 2: Ancient Mesopotamia and Persia50 Questions
Exam 3: Egypt From Narmer to Cleopatra50 Questions
Exam 4: The Prehistoric Aegean50 Questions
Exam 5: Ancient Greece50 Questions
Exam 6: The Etruscans50 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity50 Questions
Exam 9: Byzantium50 Questions
Exam 10: The Islamic World50 Questions
Exam 11: Early Medieval Europe50 Questions
Exam 12: Romanesque Europe50 Questions
Exam 13: Gothic Europe North of the Alps50 Questions
Exam 14: Late Medieval Italy50 Questions
Exam 15: South and Southeast Asia Before 120050 Questions
Exam 16: China and Korea to 127950 Questions
Exam 17: Japan Before 133350 Questions
Exam 18: Native American Cultures Before 130049 Questions
Exam 19: Africa Before 180050 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe50 Questions
Exam 21: The Renaissance in Quattrocento Italy50 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy50 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain50 Questions
Exam 24: The Baroque in Italy and Spain50 Questions
Exam 25: The Baroque in Northern Europe50 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America50 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187050 Questions
Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 190050 Questions
Exam 29: Modernism in Europe, 1900 to 194550 Questions
Exam 30: Modernism in the United States and Mexico, 1900 to 194550 Questions
Exam 31: Modernism and Postmodernism in Europe and America, 1945 to 198050 Questions
Exam 32: Contemporary Art Worldwide50 Questions
Exam 33: South and Southeast Asia, 1200 to 198050 Questions
Exam 34: China and Korea, 1279 to 198050 Questions
Exam 35: Japan, 1333 to 198050 Questions
Exam 36: Native American Cultures, 1300 to 198050 Questions
Exam 37: Oceania Before 198050 Questions
Exam 38: Africa, 1800 to 198050 Questions
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Isamu Noguchi's Shodo Shima Stone Study weds the geometric abstraction of Western art with what other tradition?
Free
(Multiple Choice)
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Correct Answer:
C
At the beginning of his long career, Philip Johnson was closely associated with which modernist architect?
Free
(Multiple Choice)
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Correct Answer:
C
Which artist created Superrealist life-size painted plaster sculptures that capture the loneliness of average Americans in familiar settings?
Free
(Multiple Choice)
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Correct Answer:
D
Which female Abstract Expressionist artist painted this untitled work, with its asymmetrical composition?
(Multiple Choice)
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Which artist is synonymous with the Op Art movement, relying on a pointillist manner to create the impression of movement and depth?
(Multiple Choice)
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Which art critic asserted the importance of strict formalism, in which the emphasis is on the elements rather than the subject of an artwork?
(Multiple Choice)
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Which of the following is an example of the eclecticism that characterizes postmodernist architecture?
(Multiple Choice)
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Which painter revolutionized the preparation and use of the canvas?
(Multiple Choice)
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A leader in Performance Art, John Cage brought to music the ideas of Eastern philosophy and which artist?
(Multiple Choice)
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What did Fluxus artists name their individual instances of Performance Art, to distinguish their performances from Kaprow's Happenings ?
(Multiple Choice)
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Post-painterly Abstractionists most differed from Abstract Expressionists in which aspect of their work?
(Multiple Choice)
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This monochromatic sculpture, incorporating found objects in frames, by Louise Nevelson is meant to evoke what mood?
(Multiple Choice)
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In her photograph series, Cindy Sherman addressed the tradition in Western art that presents female beauty from which perspective?
(Multiple Choice)
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Barnett Newman and Mark Rothko are artists who worked in which style?
(Multiple Choice)
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What is the location of Robert Smithson's earthwork Spiral Jetty ?
(Multiple Choice)
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Which of the following is NOT a shape implied in the structure of Le Corbusier's Notre Dame du Haut?
(Multiple Choice)
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Among the criticisms of Michael Graves's Portland Building was that it resembled what?
(Multiple Choice)
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Audrey Flack's Marilyn is a meant as a reference to which earlier painting genre?
(Multiple Choice)
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Who was the postwar Expressionist artist who theorized about art brut ?
(Multiple Choice)
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Charles Moore's postmodernist Piazza d'Italia is located in which American city?
(Multiple Choice)
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