Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

The leading French sculptor of the later 19th century was which Realist artist?

The work of Pierre Puvis de Chavannes, with its rejection of Realism and statuesque figures in a tranquil landscape, inspired the members of which movement?

Which of the following ideas was Vincent van Gogh trying to communicate in his Starry Night ?

Whistler's Nocturne in Black and Gold is an example of the artist's effort to use color to create visual works paralleling which other art form?

Spatial discrepancies, such as the relationship between the barmaid and her apparent reflection in a nearby mirror, are highlighted in which painting?

​ How does Caillebotte suggest the transitory, impersonal nature of modern life in Paris?

Which Impressionist artist specialized in indoor scenes of bodies in motion, sometimes using a camera to make preliminary studies for his work?

The works of Camille Pissarro are recognizable because they are painted from which viewpoint?

Which artist argued that art is truthful and photographs lie?

​ Who is the subject of this painting by Édouard Manet?

What was the original title of Edvard Munch's powerfully emotional The Scream ?

The incorporation of Japanese aesthetics into European painting, a trend referred to as Japonisme , is evident in which artwork?

Impressionist artists, including Degas, greatly admired the spatial organization and flat, unmodeled color areas of which art form?

In which work does van Gogh say that he is trying to "express the terrible passions of humanity by means of red and green"?

In Gustav Klimt's The Kiss , how does the artist use flat patterning to distinguish between the male and female figures?

​ William Morris's Green Dining Room exemplifies the design goals of which artistic movement?

Gustave Moreau's The Apparition treats which frequent Symbolist theme?

Which painter made Parisian dance halls and clubs the subjects of many of his paintings, including Dance at Le Moulin de la Galette ?

Art historians regard James Ensor's painting Christ's Entry into Brussels in 1889 as his critical response to which contemporary work?

Which artist explored the possibilities of bold colors and distorted forms, creating a textile effect with energetic and thick brushstrokes?