Exam 38: Africa, 1800 to 1980
Exam 1: Art in the Stone Age50 Questions
Exam 2: Ancient Mesopotamia and Persia50 Questions
Exam 3: Egypt From Narmer to Cleopatra50 Questions
Exam 4: The Prehistoric Aegean50 Questions
Exam 5: Ancient Greece50 Questions
Exam 6: The Etruscans50 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity50 Questions
Exam 9: Byzantium50 Questions
Exam 10: The Islamic World50 Questions
Exam 11: Early Medieval Europe50 Questions
Exam 12: Romanesque Europe50 Questions
Exam 13: Gothic Europe North of the Alps50 Questions
Exam 14: Late Medieval Italy50 Questions
Exam 15: South and Southeast Asia Before 120050 Questions
Exam 16: China and Korea to 127950 Questions
Exam 17: Japan Before 133350 Questions
Exam 18: Native American Cultures Before 130049 Questions
Exam 19: Africa Before 180050 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe50 Questions
Exam 21: The Renaissance in Quattrocento Italy50 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy50 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain50 Questions
Exam 24: The Baroque in Italy and Spain50 Questions
Exam 25: The Baroque in Northern Europe50 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America50 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187050 Questions
Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 190050 Questions
Exam 29: Modernism in Europe, 1900 to 194550 Questions
Exam 30: Modernism in the United States and Mexico, 1900 to 194550 Questions
Exam 31: Modernism and Postmodernism in Europe and America, 1945 to 198050 Questions
Exam 32: Contemporary Art Worldwide50 Questions
Exam 33: South and Southeast Asia, 1200 to 198050 Questions
Exam 34: China and Korea, 1279 to 198050 Questions
Exam 35: Japan, 1333 to 198050 Questions
Exam 36: Native American Cultures, 1300 to 198050 Questions
Exam 37: Oceania Before 198050 Questions
Exam 38: Africa, 1800 to 198050 Questions
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This Dogon mask commemorating a creation legend is named Satimbe, which means what?
(Multiple Choice)
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Which individual(s) interacted with the wooden spirit figures (asye usu) created by the Belau of Côte d'Ivoire?
(Multiple Choice)
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What is the purpose of animal sacrifices made by the Benin king?
(Multiple Choice)
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What event is depicted on the shrine doors carved by Yoruba sculptor Olowe of Ise?
(Multiple Choice)
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Of the three masks in Kuba masquerades that tell a story to celebrate royal ancestors, which character is a commoner who opposes the king's power?
(Multiple Choice)
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What is the name of Kongo power figures that a trained priest must consecrate?
(Multiple Choice)
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How are the large Mother of Fertility (d'mba) masks of the Baga people worn on the body?
(Multiple Choice)
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Over the course of much of its production, which group made Akan kente cloth?
(Multiple Choice)
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Akan akua'ba figures are consecrated at shrines for young women to carry for what purpose?
(Multiple Choice)
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How does the sculpture of the Dogon differ from the sculpture of the Kongo?
(Multiple Choice)
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What is the primary function of masks and masqueraders in traditional African culture?
(Multiple Choice)
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This gold-covered wooden staff was an emblem of which office?
(Multiple Choice)
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Which aspect of this Asante akua'ba figure represents their standard of idealized beauty?
(Multiple Choice)
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Which mythological figure is the subject of much artwork of the Chokwe people in west-central Africa?
(Multiple Choice)
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The stylized wooden figures (bieri), with infantile limbs and adult musculature, made by the Fang people had what function?
(Multiple Choice)
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The woodcarved reliefs of Olowe of Ise feature what characteristic stylistic element?
(Multiple Choice)
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Who would carry the Akan linguist staff into a meeting where an individual would be contesting the king's right to rule?
(Multiple Choice)
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Which art form is NOT an emblem of kingship of one of the peoples of Africa?
(Multiple Choice)
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