Exam 3: Getting Attention and Delivering an Informative Message
Exam 1: Where Does the Creative Process Fit in Advertising: The Business Behind Advertising Creative35 Questions
Exam 2: Conceptual Development10 Questions
Exam 3: Getting Attention and Delivering an Informative Message22 Questions
Exam 4: Visuals and Their Voice in Advertising15 Questions
Exam 5: Type As a Design Element27 Questions
Exam 6: The Many Visual and Verbal Voices of Color20 Questions
Exam 7: The Stages of Design10 Questions
Exam 8: Layout Options and What They Say18 Questions
Exam 9: Spokespersons and Character Representatives As Part of the Concept10 Questions
Exam 10: Graphic Design, Logo and Package Development13 Questions
Exam 11: Writing Copy That Strategically Promotes the Brand and Talks to the Target45 Questions
Exam 12: Concepts That Incorporate the Visual and Verbal Voice of Individual Media Vehicles16 Questions
Exam 13: The Design Behind Broadcast31 Questions
Exam 14: Making It Big and Taking It on the Road: Out-Of-Home and Transit Advertising22 Questions
Exam 15: Direct Marketing: The Old Guard20 Questions
Exam 16: What Makes Internet and Social Media Marketing Work58 Questions
Exam 17: What Makes Mobile Work20 Questions
Exam 18: Campaign and Visual and Verbal Uniformity Across Multiple Mediums10 Questions
Exam 19: Pitching, Approvals and Deadlines15 Questions
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-The formal name for shapes such as circles, squares, triangles, or rectangles.
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K
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-A type of balance that implies an imaginary line that runs down the center of an ad where every component that appears on one side of the ad is duplicated in size or shape on the other.
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-Something that has a predetermined purpose and response.
The arrangement of an ads components in such a way as to create a predetermined path for the reader to follow.
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D
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-A type of texture where you can only see and feel the design elements.
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-The standard visual guidelines that govern the way the elements are used within a layout.
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-Refers to the varied visual and verbal components seen in an ad.
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-The term used to describe ads that have equilibrium or components that are equally distributed within the ad.
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-A term used to describe designs or shapes that are defined by length, width and depth or volume.
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-The term used to describe the negative space on a page.
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-A principle of design that refers to occupied and unoccupied spaces within an ad.
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-Refers to how visual and verbal elements will be organized within the design.
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-The name for any shape found in nature or created using positive/negative space.
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-The term that determines the need for every ad to have one components that is larger than the rest.
The arrangement of an ads components in such a way as to create a predetermined path for the reader to follow.
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-The visual things seen in a design that include: line, shape, volume, texture, value and color.
The arrangement of an ads components in such a way as to create a predetermined path for the reader to follow.
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-A type of texture used in three-dimensional design where you can actually reach out and feel the surface.
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-Defines the overall shape or the roundness or flatness of an object.
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-This principle of design also known as harmony, ensures all visual and verbal elements in an ad work together, to send a cohesive message.
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-The arrangement of an ads components in such a way as to create a predetermined path for the reader to follow.
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