Exam 12: Romanesque Europe
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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____, in northern Spain, boasts more Romanesque murals than anywhere else in Europe.
(Multiple Choice)
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The mission of the ____, the earliest crusading knights, was to protect Christians visiting Christian shrines in the Holy Land.
(Multiple Choice)
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Another Romanesque portal that established God's omnipotence and presented the church as a road to salvation is ____.
(Multiple Choice)
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____ was the economic system that was gradually replaced by the growth of towns and cities during the Romanesque period.
(Multiple Choice)
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One of the exceptional features of the interior of Saint-Étienne at Vignory in comparison to other Romanesque churches is ____.
(Multiple Choice)
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In the Romanesque period, church interiors became impressive acoustical settings for church services. Which of the following architectural elements allowed for the excellent acoustics?
(Multiple Choice)
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The Norman defeat of the Anglo-Saxons at the Battle of Hastings in 1066 united all of England and most of France under one rule. The battle leading to this momentous occasion was the topic for the Bayeux Tapestry . Who commissioned this work?
(Multiple Choice)
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Describe the development of the portal sculptural programs for Romanesque churches. How did these programs reflect their respective regions? How were they similar, and how were they different? Use examples to support your essay.
(Essay)
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Which of the following supports Eadwine's claim to self-importance?
(Multiple Choice)
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In his writings, Bernard of Clairvaux criticized the profusion of sculptural decoration in Romanesque cloisters because it ____.
(Multiple Choice)
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Which of the following encouraged the growth of towns and cities?
(Multiple Choice)
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At Saint-Sernin, the ____ served as the module for the proportions of the entire church.
(Multiple Choice)
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The one important requirement often missing from these church interiors is light. Which of the following did not allow for interior lighting?
(Multiple Choice)
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The Bayeux Tapestry is the conqueror's version of history. It is a narrative that includes the battle sequences as well as the preparations for war. It is said that this is the most Roman of all Romanesque artworks. Which of the following supports this contention?
(Multiple Choice)
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Briefly describe the impact pilgrimage routes had on Romanesque Europe.
(Essay)
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The Gospel books that are stylistically related to Moissac are the ____.
(Multiple Choice)
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The Romanesque church that had a wooden ceiling like those found in early Christian basilicas was which of the following?
(Multiple Choice)
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In its three stories in the nave and timber roof, Saint-Étienne at Vignory resembles ____ churches.
(Multiple Choice)
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What were the technical problems encountered by the Romanesque masons when constructing cut-stone groin vaults? How did they solve the problems?
(Essay)
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