Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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Georges Seurat differed from the Impressionist painters in which of the following ways?
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(Multiple Choice)
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B
Cassatt's style of work owes much to which of the following?
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B
How does Louis Sullivan reflect truly modern architecture?
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He synthesized industrial structure and ornamentation that expressed the late-19th-century spirit of commerce. He used the latest in technology to invest the interiors with light and good ventilation. The interior and exterior ornamentation connected commerce and culture and gave these spaces a sense of refinement and taste.
Although ____ painted familiar Impressionist subjects, his exaggeration of each element created a new tone.
(Multiple Choice)
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Briefly describe the fin-de-siècle culture of late 19th-century Austria.
(Essay)
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Contrast the works of Renoir and Lautrec. How do the subject styles of the artists reflect 19th-century French society and the innovations of 19th-century art? Use examples to support your essay.
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Antonio Gaudi longed to create an architectural style that was both modern and appropriate for his native country of Spain. How does Casa Milá represent his ability to conceive a building as a whole and mold it almost as a sculptor would create a figure from clay?
(Multiple Choice)
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In The Apparition , Moreau portrayed a ____, a theme that appealed to the artist and many of his friends.
(Multiple Choice)
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Compare the works of Berthe Morisot and Gertrude Käsebier. How does their work define the artists? What factors allowed these artists to create their thematic body of work? How does each represent her period, and what innovations did each artist create? Use examples to support your essay.
(Essay)
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Describe the development of sculpture at the end of the 19th century. Use examples to support your essay. To what extent did sculpture remain conventional? What painting movements did it take into account?
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In contrast to artists of the French Academy, the Impressionists attempted to capture ____.
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Which of the following architects conceived the building as a whole and molded it almost as a clay sculpture?
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How did social Darwinism assist in the colonization of peoples and countries deemed less advanced?
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Briefly describe the avant-garde and its impact on the art of the late 19th century.
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In Night Café the artist has communicated the "madness" of the place by selecting and juxtaposing ____.
(Multiple Choice)
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Who said: "I want to make of Impressionism something solid and lasting like the art in the museums"?
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