Exam 11: Early Medieval Europe
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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In the mid-10th century, the eastern part of the Carolingian empire was consolidated under the rule of the ____.
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(Multiple Choice)
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B
What model may have inspired the presence of two apses and a side entrance at Saint Michael's, Hildesheim?
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(Multiple Choice)
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Correct Answer:
B
Why is the image of Saint Matthew in the Lindisfarne Gospels exceptional, and what would explain its uniqueness?
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(Essay)
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Correct Answer:
It is exceptional among Hiberno-Saxon images because it is not based purely on abstract design. Instead, the artist based the composition on a model inspired by classical art. It is believed that the model for this work was an illustrated book brought from Italy to England.
Compare and contrast Carolingian and Ottonian architecture. Consider the development and evolution in architectural styles and attendant sculptural programs. Use specific examples to support your essay.
(Essay)
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The Utrecht Psalter is most closely related to which of the following?
(Multiple Choice)
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The Carolingian architectural plan that demonstrated the beginnings of the modular system was found in ____.
(Multiple Choice)
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Compare and contrast the Book of Durrow with the Coronation Gospels . How does each work represent its environment? How does each work reflect its period and the changes in manuscript illumination, if any?
(Essay)
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What is the significance of the term holy when applied to a Roman emperor?
(Essay)
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Compare and contrast the Utrecht Psalter with the Lectionary of Henry II . Discuss the subject and the execution. Also consider the period of each work as well as the individual patron of each work.
(Essay)
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In the image of Otto III enthroned, the ____ signify his universal authority and conform to a Christian imperial iconographic tradition.
(Multiple Choice)
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The style of Saint Matthew from the Ebbo Gospels resembles the illustrations in the contemporaneous ____.
(Multiple Choice)
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The art of medieval monasteries in Ireland is described as ____.
(Multiple Choice)
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Who was Alciun of York, and what was his contribution to art history of this period?
(Essay)
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Explain the fusion of Christianity, the Greco-Roman heritage, and the cultures of the Barbarians. What effect did this fusion have on the visual arts of the early Middle Ages? Use examples to support your essay.
(Essay)
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In the image of Saint Matthew from the Ebbo Gospels , the artist merged classical illusionism with ____.
(Multiple Choice)
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Compare and contrast the artistic patronage of Charlemagne and the Ottonian rulers. To what extent were their influences and tastes similar or different? Use examples to support your essay.
(Essay)
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In which way did the three-aisled basilica for the Monastery of Saint Gall differ from its early Christian prototypes?
(Multiple Choice)
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It has been said that the author-portrait of Saint Matthew from the Lindisfarne Gospels shows classical influences. What supports this statement?
(Multiple Choice)
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Which work demonstrates that the Carolingian artist had fully absorbed the Classical manner?
(Multiple Choice)
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