Exam 24: Modernism in Europe and America
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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The floating figure in Barlach's ____ represents the dying soul before awakening to everlasting life.
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Her work is often described as autobiographical because of her unflinching self-portrait portrayals. She gives the viewer a personal glimpse into herself and suffering. Which of the following artists does this describe?
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What is a "mobile," who created it, and why?
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A mobile is a sculptural form developed by Alexander Calder in which the parts are so carefully balanced that they move with the slightest current of air. He was fascinated by motion and explored that phenomenon as it related to three-dimensional form and space.
Compare and contrast the works of Edward Weston and Dorothea Lange. How did each artist respond to the medium of photography as a visual art form? How did their works reflect their respective environments?
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Which of the following artists shared Stieglitz's concern to position photography as an art form with the same fine-art status as painting and sculpture?
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Who belonged to the Pittura Metafisica movement, which greatly influenced Surrealism?
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The American movement known initially as the Eight and then as the Ash Can School focused on the ____.
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Which of the following artists created large-scale, kinetic sculptures?
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What style is described as compositions of shapes and forms abstracted from the conventionally conceived world?
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Which of the following works demonstrates the Futurists' interest in motion?
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In the artist's eyes, Fate of the Animals was almost a premonition of which historical event?
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Thomas Hart Benton, a Regionalist artist, focused his attention on which of the following subjects?
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Surrealist artists used Dada's ____ to engage elements of fantasy and activate unconscious forces.
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The photographer ____ was hired to document the deplorable living conditions of the rural poor.
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