Exam 9: Byzantium
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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What is Saint Catherine's, Mount Sinai, and why is it significant?
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(Essay)
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A fortress monastery located on the Sinai Peninsula. It was rebuilt and fortified by Justinian in order to protect its monks and pilgrims. The site marks the spot where God spoke to Moses from the burning bush. The monastery was an important pilgrimage site since the fourth century.
Instead of its usual position in the dome of a church, in the church of Monreale, the Pantokrator is located in the ____.
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(Multiple Choice)
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Correct Answer:
D
The monastic movement began in ____ in the third century.
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(Multiple Choice)
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Correct Answer:
A
Compare and contrast the impact Byzantium had on the arts of Venice and Sicily. Consider the political and social climates of each area and the implications of Byzantine iconography. Use examples to support your essay.
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The presentation of the Norman king, William II, twice in the Monreale mosaic program, continued the theme of ____.
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How did the Byzantine emperors refer to themselves, and why is this significant?
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The images and symbols found in the sanctuary from San Vitale express the single theme of ____.
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What political and religious messages are communicated by the Barberini Ivory ?
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The ____ of the Lamentation found in Saint Pantaleimon, Nerezi, contribute to the emotionally charged realization of the theme.
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Describe the mosaic of Theodora and attendants in San Vitale, and explain its symbolism.
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Compare the Rabbula Gospels with the Paris Psalter . Consider the timeframe of each work. How does each one reflect its environment? What innovations and changes did each initiate? What influences shaped each work? How did they, in turn, influence subsequent works?
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The marriage of Anna to Prince Vladimir marked the introduction of Orthodox Christianity to _____.
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The Middle Byzantine artist assimilated classicism's simplicity, dignity, and grace and synthesized it with Byzantine piety and pathos. Which of the following follows this formula?
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How was William II of Sicily portrayed in mosaics, and why was his representation significant?
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The significance of Maximianus is emphasized in the mosaic Justinian, Bishop Maximianus, and attendants, in San Vitale, Ravenna, through the presence of ____.
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The image of Christ as Pantokrator refers to his role as ____.
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Discuss the roles played by the Classical style of Greece and Rome and the formalistic style of the East in the development of Byzantine art. Use examples to support your essay.
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