Exam 9: Byzantium
Exam 1: Art in the Stone Age43 Questions
Exam 2: Ancient Mesopotamia and Persia55 Questions
Exam 3: Egypt From Narmer to Cleopatra52 Questions
Exam 4: The Prehistoric Aegean49 Questions
Exam 5: Ancient Greece47 Questions
Exam 6: The Etruscans54 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity43 Questions
Exam 9: Byzantium51 Questions
Exam 10: The Islamic World51 Questions
Exam 11: Early Medieval Europe58 Questions
Exam 12: Romanesque Europe100 Questions
Exam 13: Gothic Europe61 Questions
Exam 14: Late Medieval Italy55 Questions
Exam 15: Late Medieval and Early Renaissance Northern Europe51 Questions
Exam 16: The Renaissance in Quattrocento Italy61 Questions
Exam 17: Renaissance and Mannerism in Cinquecento Italy56 Questions
Exam 18: High Renaissance and Mannerism in Northern Europe and Spain53 Questions
Exam 19: The Baroque in Italy and Spain30 Questions
Exam 20: The Baroque in Northern Europe34 Questions
Exam 21: Rococo to Neoclassicism: the 18th Century in Europe and America24 Questions
Exam 22: Romanticism, Realism, Photography: Europe and America50 Questions
Exam 23: Impressionism, Post-Impressionism, Symbolism: Europe and America38 Questions
Exam 24: Modernism in Europe and America70 Questions
Exam 25: Modernism and Postmodernism in Europe and America42 Questions
Exam 26: Contemporary Art Worldwide42 Questions
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Which of the following events changed the fortunes of Byzantium in the final or Late Byzantine period?
(Multiple Choice)
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Reflecting the tradition of ancient art, ____ accompany the Old Testament harpist in the image of David Composing the Psalms .
(Multiple Choice)
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Which of the following reasons likely persuaded Emperor Leo III to initiate iconoclasm?
(Multiple Choice)
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The interior mosaic program for Saint Mark's has explanatory labels written in both Greek and Latin. What accounts for this?
(Multiple Choice)
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____ remained the Byzantine foothold in Italy for two centuries.
(Multiple Choice)
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Discuss the consequences of the Iconoclasm and its effect on Early Byzantine art. How did the Iconoclasm affect Middle Byzantine art? Include in your discussion the reasons for the iconoclasm. Use examples to support your essay.
(Essay)
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The presence of the ____ embroidered on Theodora's garment in Theodora and attendants, the mosaic on at San Vitale, Ravenna, underscored her elevated rank.
(Multiple Choice)
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The architects of Hagia Sophia fused the central plan and the basilica by ____.
(Multiple Choice)
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The dome on the Katholikon, Hosios Loukas, is formed by ____.
(Multiple Choice)
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Why is it significant that the Anastasis is found in the parekklesion , a side chapel, in this instance a funerary chapel, of the church of Christ in Chora?
(Essay)
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Compare the mosaics of Saint Catherine, Sinai, and San Vitale, Ravenna. What changes have been incorporated into San Vitale, and why?
(Essay)
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Compare the Lamentation from Nerezi and the Anastasis from the Church of Christ in Chora. How are they different? Why? Consider the political climate for each work and why it is relevant.
(Essay)
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The medium used for the icon of the Virgin (Theotokos) and Child between Saints Theodore and George is which of the following?
(Multiple Choice)
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Among the new Byzantine features that appeared in the mosaics at San Vitale is ____.
(Multiple Choice)
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Explain the innovations Byzantine architects developed. Discuss specific features from at least three buildings and include all three periods (Early, Middle, and Late Byzantine) in your essay. Use examples to support your essay.
(Essay)
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In place of images, the iconoclasts used only symbolic forms, such as the ____, which were already familiar in early Christian art.
(Multiple Choice)
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