Exam 21: The Modern World, 1800-1945

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If Fauvism's mission was to liberate color from its descriptive role, Cubism's initial aim was:

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D

Eugène Delacroix was a leading practitioner of the:

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B

Consider Manet's Le Déjeuner sur l'herbe and Picasso's Les Demoiselles d'Avignon. Describe the critical and public reception each of the works received upon first exhibit. Discuss the movements associated with each artist and indicate how earlier works of art influenced these works.

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Manet's Le Déjeuner sur l'herbe was one of thousands of works rejected from the annual Salon in 1863. He wanted to join other artists in painting modern life and prove that modern life could produce eternal subjects worthy of the great masters. He incorporated the iconography from Titian's Fete Champêtre and Raphael's Judgment of Paris. The public reacted negatively, perceiving that Manet was making fun of these master works. Manet, like the Realist Courbet, believed that modern life itself was the most suitable subject for modern art, and was associated with that movement. Picasso's painting Les Demoiselles d'Avignon is considered a pivotal work in the development of 20th-century modern art. The entire composition is chopped up into planes, with no conventional modeling, flattening out the entire picture. The presentation of the female subjects with their angular, geometric shapes and primitive mask-like faces caused discomfort to many people, although the painting proved a significant beginning for his artistic journey in developing the movement known as Cubism.

Discuss De Stijl and the Bauhaus, and their influence on early 20th-century modernism, citing examples and artists/architects of each style.

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Consider De Chirico's The Disquieting Muses, Dali's Persistence of Memory, and Oppenheim's Object (Luncheon in Fur). For each artist, identify the movement with which he or she is associated. Then discuss the differing approaches each artist took in these works to achieve the goals of that movement.

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Consider Kandinsky's Black Lines and Miró's Carnival of the Harlequin. Identify the movements with which each artist is associated. Discuss each artist's interest in abstraction and/or nonrepresentation within the movement with which each is identified.

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Which of the following artists was a Realist?

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How did Impressionism get its name?

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Discuss at least three of the artistic styles or movements of the early 20th century and explain how those movements and the artists associated with them reflected new attitudes, philosophies, and social and political transformations.

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Vasili Kandinsky became convinced that art should be free of representational subject matter when he:

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_____________, who designed a famous armchair, was a student of the Bauhaus school of design in Germany.

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Henri Matisse was told by Gustave Moreau, his teacher at the Ecole des Beaux-Arts, "You were born to ________."

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In their paintings, the Impressionists often focused on:

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Consider Morisot's Summer's Day and Cassatt's The Boating Party. Discuss each artist's contribution to this art movement.

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Marcel Duchamp created a new art form in which the artist makes nothing, but merely labels an object as art. He called this art form:

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A major influence upon European culture of the 19th century, one that gave rise to an expanding middle class, was:

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The term Post-Impressionism refers to:

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Romantic art stresses:

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Which of the following is an American artist?

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The first national art museum opened in 1793. This museum, still in operation today, is:

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