Question 1

Bernini's statue of David differed from his predecessors by showing David ____.

Accepted Answer

A) in the moment of combat 
B) waiting for the enemy 
C) after he had slain Goliath 
D) as a king 
A) in the moment of combat 
B) waiting for the enemy 
C) after he had slain Goliath 
D) as a king

Question 2

How does the Martyrdom of Saint Philip reflect Spanish taste?

Accepted Answer

It depicts the courageous resi

Question 3

Describe how the Cornaro chapel became a theater for the depiction of the Ecstasy of Saint Teresa .

Accepted Answer

The Cornaro Chapel became a theater for

Question 4

The Roman Catholic response to the Reformation was formulated at which of the following?

Accepted Answer

A) Council of Trent 
B) Convocation of Rome 
C) Council of Toledo 
D) Council of Westphalia 
A) Council of Trent 
B) Convocation of Rome 
C) Council of Toledo 
D) Council of Westphalia

Question 5

Which of the following represents a symbolic function of Bernini's Baldacchino ?

Accepted Answer

A) The columns invoke the early Christian past. 
B) The columns reiterate the promise of salvation. 
C) The columns visually state the wealth of the Church. 
D) The columns invoke the theme of redemption. 
A) The columns invoke the early Christian past. 
B) The columns reiterate the promise of salvation. 
C) The columns visually state the wealth of the Church. 
D) The columns invoke the theme of redemption.

Question 6

An important early patron of Caravaggio, ____ gave the artist a steady income in exchange for a selection of paintings.

Accepted Answer

A) Paul V 
B) Pope Urban VIII 
C) Cardinal Del Monte 
D) Odoardo Farnese 
A) Paul V 
B) Pope Urban VIII 
C) Cardinal Del Monte 
D) Odoardo Farnese

Question 7

Describe the representation of Bernini's David . How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo?

Accepted Answer

Bernini's representation of David is a d

Question 8

Founded by several members of the Carracci family, ____ was established on the premise that art can be taught.

Accepted Answer

A) the Paris academy 
B) the Royal academy 
C) the Bolognese academy 
D) the Danish academy 
A) the Paris academy 
B) the Royal academy 
C) the Bolognese academy 
D) the Danish academy

Question 9

The ____ of Francesco Borromini's architecture, visible in the facade of San Carlo alle Quattro Fontane , opposed ancient ideas about architecture.

Accepted Answer

A) balance of vertical and horizontal lines 
B) undulating motion and enhanced three-dimensional effect 
C) smooth treatment of the wall 
D) towers and tracery of Gothic architecture 
A) balance of vertical and horizontal lines 
B) undulating motion and enhanced three-dimensional effect 
C) smooth treatment of the wall 
D) towers and tracery of Gothic architecture

Question 10

The simulation of easel painting for ceiling design is termed ____.

Accepted Answer

A) tenebrism 
B) quadro riportato 
C) trompe l'oeil 
D) allegory 
A) tenebrism 
B) quadro riportato 
C) trompe l'oeil 
D) allegory

Bernini's statue of David differed from his predecessors by showing David ____.

How does the Martyrdom of Saint Philip reflect Spanish taste?

Describe how the Cornaro chapel became a theater for the depiction of the Ecstasy of Saint Teresa .

The Roman Catholic response to the Reformation was formulated at which of the following?

Which of the following represents a symbolic function of Bernini's Baldacchino ?

An important early patron of Caravaggio, ____ gave the artist a steady income in exchange for a selection of paintings.

Describe the representation of Bernini's David . How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo?

Founded by several members of the Carracci family, ____ was established on the premise that art can be taught.

The ____ of Francesco Borromini's architecture, visible in the facade of San Carlo alle Quattro Fontane , opposed ancient ideas about architecture.

The simulation of easel painting for ceiling design is termed ____.

Art in the Stone Age

Ancient Mesopotamia and Persia

Egypt From Narmer to Cleopatra

The Prehistoric Aegean

Ancient Greece

The Etruscans

The Roman Empire

Late Antiquity

Byzantium

The Islamic World

Early Medieval Europe

Romanesque Europe

Gothic Europe

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

Renaissance and Mannerism in Cinquecento Italy

High Renaissance and Mannerism in Northern Europe and Spain

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America

Impressionism, Post-Impressionism, Symbolism: Europe and America

Modernism in Europe and America

Modernism and Postmodernism in Europe and America

Contemporary Art Worldwide

Filters

Exam 19: The Baroque in Italy and Spain

Bernini's statue of David differed from his predecessors by showing David ____.

How does the Martyrdom of Saint Philip reflect Spanish taste?

Describe how the Cornaro chapel became a theater for the depiction of the Ecstasy of Saint Teresa .

The Roman Catholic response to the Reformation was formulated at which of the following?

Which of the following represents a symbolic function of Bernini's Baldacchino ?

An important early patron of Caravaggio, ____ gave the artist a steady income in exchange for a selection of paintings.

Describe the representation of Bernini's David . How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo?

Founded by several members of the Carracci family, ____ was established on the premise that art can be taught.

The ____ of Francesco Borromini's architecture, visible in the facade of San Carlo alle Quattro Fontane , opposed ancient ideas about architecture.

The simulation of easel painting for ceiling design is termed ____.

Art in the Stone Age

Ancient Mesopotamia and Persia

Egypt From Narmer to Cleopatra

The Prehistoric Aegean

Ancient Greece

The Etruscans

The Roman Empire

Late Antiquity

Byzantium

The Islamic World

Early Medieval Europe

Romanesque Europe

Gothic Europe

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

Renaissance and Mannerism in Cinquecento Italy

High Renaissance and Mannerism in Northern Europe and Spain

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America

Impressionism, Post-Impressionism, Symbolism: Europe and America

Modernism in Europe and America

Modernism and Postmodernism in Europe and America

Contemporary Art Worldwide

Filters