Exam 29: The Romantic Style in Art and Music

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The artists of the late seventeenth century favored heroic themes and personalities,especially those illustrating

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________ generally elevated the heart over the mind and the emotions over the intellect.

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Examine the principal exponents of heroic and nationalistic themes in the visual arts: Gros,Géricault,Goya,Delacroix,Bartholdi,and Rude.

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Romantic artists sought to praise the hero,they captured certain principal themes that glorified creative individualism,patriotism,and nationalism.Antoine-Jean Gros,the student of "first painter," Jacques-Louis David,painted works of Napoleon's military campaigns that became powerful vehicles of political propaganda.For example,in his Napoleon Visiting the Plague Victims at Jaffa,Gros converted a minor historical event-Napoleon's tour of his plague-ridden troops in Jaffa (in Palestine)-into an exotic allegorical drama that cast Napoleon in the guise of Christ as healer.Indeed throughout most of Western history,the heroic image in art was bound up with Classical lore and Christian legend,but now artists were using this context to portray contemporary events.The artist Francisco Goya helped to advance this phenomenon.The Third of May,1808:The Execution of the Defenders of Madrid was Goya's nationalistic response to the events ensuing from an uprising of Spanish citizens against the French army of occupation.In true Romantic style,he used emphatic contrasts of light and dark and the theatrical attention to graphic details to heighten the intensity of the contemporary political event.
Théodore Géricault worked to portray the heroic ideal as well,but chose to elevate ordinary men to the position of heroic combatants,as they struggle against insurmountable odds.His work The Raft of the "Medusa" brought together the reality of a man-made disaster and the more abstract theme of the Romantic sublime:the terror experienced by ordinary human beings in the face of nature's overpowering might.
While Goya and Géricault democratized the image of the hero,Géricault's pupil and follower Eugène Delacroix raised that image to grand proportions.His paintings are filled with fierce vitality and vivid detail,he declared,"I have no love for reasonable painting." In his work,Liberty Leading the People,the women,a personification of liberty,assumes heroic status as she helps to lead the people against tyranny.Inspired by Delacroix's Liberty,France sent as a gift of friendship to the young American nation a monumental copper and cast-iron statue of a similarly idealized female symbol of liberty;The Statue of Liberty (Liberty Enlightening the World)is the "sister" of Delacroix's painted heroine;it has become a classic image of freedom for oppressed people everywhere.
In his sculpture,François Rude embodied the dynamic heroism of the Napoleonic Era.In his richly textured work,The Departure of the Volunteers of 1792,Rude captured the revolutionary spirit and emotional fervor of this battalion's marching song,La Marseillaise,which the French later adopted as their national anthem.

Discuss the basic characteristics of the Romantic style in art and music.

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Musical pieces (often short)that have an improvised sound in spite of their carefully written notation are called

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________ united poetry and music in the intimate form of the lied.

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The Italian composer Verdi and Germany's Wagner are still famous for exploiting ________ in their compositions.

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Rumored by contemporaries that he had made a pact with the Devil for his musical abilities,________ refused to publish his own work,which he alone would perform.

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Discuss the significance and definition of Romantic dance and opera.

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List the major trends in nineteenth-century architecture.

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Which of the following hailed imagination as paramount in the life of the artist and focused on sensuous and violent subjects? He said,"I have no love for reasonable painting."

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Which of the following found inspiration in uncommon subjects such as the restless vitality of untamed horses and the faces of the clinically insane?

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Which of the following was the pupil of Jacques-Louis David,but rejected Neoclassicism in favor of more realistic scenes of France's emperor in theatrical settings?

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________ heightened the importance of fantasy and story in his legendary Russian ballets Swan Lake,The Nutcracker,and Sleeping Beauty.

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________ was a new,flamboyant spectacle of the era that united all aspects of theatrical production: music,dance,stage sets,and costumes.

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Mid-nineteenth-century architecture in the West began to pay homage to the ________ style,which was clearly revived in the Houses of Parliament along the Thames River in London.

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The Royal Pavilion at Brighton,England remains the quintessential example of which of the following architectural styles?

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Examine the principal exponents of the Romantic style in music: Beethoven,Schubert,Berlioz,and Chopin.

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By far,the most popular musical instrument in nineteenth-century Europe was which of the following?

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Wagner's ________ tied sound to story,evidence of the Romantic search for an ideal union of poetry and music.

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