Exam 26: Eighteenth-Century Art,music,and Society
Exam 20: The Catholic Reformation and the Baroque Style20 Questions
Exam 21: Absolute Power and the Aristocratic Style20 Questions
Exam 22: The Baroque in the Protestant North20 Questions
Exam 23: The Scientific Revolution and the New Learning20 Questions
Exam 24: The Enlightenment20 Questions
Exam 25: The Limits of Reason20 Questions
Exam 26: Eighteenth-Century Art,music,and Society20 Questions
Exam 27: The Romantic View of Nature20 Questions
Exam 28: The Romantic Hero20 Questions
Exam 29: The Romantic Style in Art and Music20 Questions
Exam 30: Industry,Empire,and the Realist Style20 Questions
Exam 31: The Move Toward Modernism20 Questions
Exam 32: The Modernist Assault20 Questions
Exam 33: The Freudian Revolution20 Questions
Exam 34: Total War,Totalitarianism,and the Arts20 Questions
Exam 35: The Quest for Meaning19 Questions
Exam 36: Liberation and Equality20 Questions
Exam 37: The Information Age20 Questions
Exam 38: Globalism19 Questions
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Notable for ornamental delicacy,intimacy,and playful elegance,the ________ style dominated the salons of Paris and the courts and churches of Austria and Germany.
Free
(Multiple Choice)
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Correct Answer:
B
Encouraged by the philosophes' demand for an art of moral virtue,Greuze and Chardin produced ________ paintings that were among the most popular images of the eighteenth century
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(Multiple Choice)
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Correct Answer:
C
Archeological investigations encouraged new interest in ________ artifacts and produced a more accurate picture of Classical culture than had been available previously.
Free
(Multiple Choice)
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Correct Answer:
C
Which of the following was First Painter to King Louis XV,head of the Royal Academy in Paris,and a favorite of the Marquise de Pompadour?
(Multiple Choice)
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Which of the following was the English pottery-maker famous for Classical motifs?
(Multiple Choice)
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Which of the following painting masters began his or her career painting theatrical backdrops?
(Multiple Choice)
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The Scottish architect of the new style who focused on Greco-Roman residential manors in England,such as Kedleston Hall,was ___________.
(Multiple Choice)
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The Rococo style was created by and for the upper class.Marked by luxury and elegance,the style's name itself derives from rocaille,French for the fancy rock or shell-work that was commonly used to ornament aristocratic gardens and grottoes.Meant for small parties of the nobility,Rococo art preserved the ornate and luxuriant features of the baroque style,but favored elements of play and intimacy that were best realized in works of a small scale,such as porcelain figurines,furniture,and paintings suitable for domestic quarters.
(Essay)
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Highlight the major developments in eighteenth-century music: the birth of the orchestra and new forms of Classical composition.
(Essay)
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In America,________ was best expressed in the architectural achievements of Thomas Jefferson.
(Multiple Choice)
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Flutes,clarinets,and oboes belong to which of the following orchestral groups?
(Multiple Choice)
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Just as the French Revolution swept away the Old Regime,so ________ replaced the Rococo style.
(Multiple Choice)
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Explain the development of genre realism and Neoclassicism as stylistic alternatives to the Rococo.
(Essay)
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Which of the following is a musical composition for an unaccompanied keyboard or other instrument with only keyboard accompaniment?
(Multiple Choice)
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Both Mozart and Beethoven studied at different times with which of the following composers?
(Multiple Choice)
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Describe the aspects of Neoclassical architecture of the era and give examples of any buildings you can recall having this style.
(Essay)
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Neoclassicists drew on the arts of imperial Rome to glorify the French capital of Paris and emperor
(Multiple Choice)
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Which of the following was a female painter who produced portraits for an almost exclusively female clientele?
(Multiple Choice)
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Classical music was characterized by ________,features similar to those admired by Neoclassical writers,painters,sculptors,and architects.
(Multiple Choice)
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Describe Neoclassicism as a vehicle for noble idealism and authority in Western art.
(Essay)
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