Exam 17: The Renaissance

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Explain how artists from the second half of the sixteenth century through the beginning of the seventeenth century all broke away in one way or another from the Renaissance tradition.

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Explain how Titian uses color as a compositional device in his Venus of Urbino.

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Because Cimabue and Giotto's paintings combine Late Gothic and Early Renaissance styles,they are classified as __________.

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The May calendar page of Les Très Riches Heures was a page from a __________,rendered in an ornate,courtly style known as __________.

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Identify the three great masters of the High Renaissance in Italy.

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In Jan van Eyck's strikingly detailed double portrait of Giovanni Arnolfini and His Bride,which of the following is not a symbolic reference in the painting? 

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The young artist Raphael painted numerous canvases of the Madonna and Child,but some of his most impressive compositions,like The School of Athens,were executed for __________.

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The German Renaissance artist Matthias Grünewald's Isenheim Altarpiece is unusual and powerful for its __________.

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List the characteristics that separate Mannerist art from the art of the Renaissance and the Baroque periods.

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Describe the social and economic changes that occurred which brought about the Renaissance.

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In his Creation of Adam scene from the Sistine Chapel ceiling,Michelangelo created the most __________ in the history of art as God reached out to spark life into Adam.

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Jacopo Pontormo's Mannerist Entombment depicts all of the following except __________.

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Explain the differences found in the Renaissance art of Florence and Rome,of Siena,and of Venice.

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The forms and composition of Titian's Venus of Urbino were evolved primarily from __________.

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Northern Renaissance artists tried to reconcile religion with scenes and objects from everyday life by using __________.

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The word __________ is derived from the French and means rebirth.

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As seen in Tintoretto's The Last Supper,his __________ anticipate(s)the Baroque style.

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Compare and contrast Cimabue's Madonna Enthroned with Giotto's Madonna Enthroned.

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Compare and contrast Leonardo's The Last Supper with Tintoretto's The Last Supper.

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