Question 1

The popularity of relief printing declined with the introduction of the __________ process,which did not appear until the fifteenth century.

Accepted Answer

A)  ​serigraphy 
B)  ​intaglio 
C)  ​monotype 
D)  ​lithography 
E)  ​photo silkscreen 
A)  ​serigraphy 
B)  ​intaglio 
C)  ​monotype 
D)  ​lithography 
E)  ​photo silkscreen B

Question 2

Describe the processes involved in producing a wood engraving and the range of effects that can be achieved.

Accepted Answer

Wood engraving is a printmaking technique that involves carving an image into the surface of a block of wood. The process begins with selecting a suitable piece of wood, typically a hardwood such as boxwood, and preparing the surface by sanding it smooth. The artist then draws the desired image onto the wood block, either by hand or by transferring a design using a transfer method.

Once the design is in place, the wood engraver uses specialized engraving tools, such as burins and gravers, to carefully carve away the areas of the block that are not part of the image. This requires precision and skill, as the engraver must work in reverse, carving away the negative space to leave the image in relief.

After the carving is complete, the wood block is inked using a roller or brayer, and then a sheet of paper is carefully pressed onto the block to transfer the inked image. The result is a print that reflects the intricate details and textures of the wood engraving.

The range of effects that can be achieved with wood engraving is vast. The fine lines and delicate details that can be achieved through the carving process allow for a high level of precision and intricacy in the final print. Additionally, the natural grain and texture of the wood can also be incorporated into the image, adding a unique and organic quality to the print.

Wood engraving can produce a wide range of tonal values, from deep, rich blacks to subtle, delicate grays, depending on the pressure and depth of the carving. This allows for a great deal of versatility in creating different moods and atmospheres within the prints.

Overall, wood engraving is a meticulous and labor-intensive process, but it offers a level of detail and texture that is difficult to achieve with other printmaking techniques. The range of effects that can be achieved through wood engraving makes it a popular choice for artists looking to create finely detailed and visually striking prints.

Question 3

Explain how the addition of drypoint can change and enhance the appearance of an engraving.

Accepted Answer

Drypoint is a printmaking technique that involves scratching an image onto a metal or plastic plate with a sharp tool. When drypoint is added to an engraving, it can change and enhance the appearance in several ways.

Firstly, the addition of drypoint can add texture and depth to the engraving. The lines created through drypoint have a rougher and more expressive quality compared to the precise lines of traditional engraving. This can create a more dynamic and visually interesting image, as the combination of techniques adds a variety of marks and textures to the print.

Secondly, drypoint can also add a sense of spontaneity and fluidity to the engraving. The process of scratching the image directly onto the plate allows for more freedom and improvisation in the mark-making, resulting in a looser and more organic feel to the final print.

Additionally, the use of drypoint can also create a softer and more atmospheric effect in certain areas of the engraving. The burr that is raised during the drypoint process can hold more ink, resulting in darker and richer tones in specific areas of the print. This can be used to create emphasis and contrast within the composition.

Overall, the addition of drypoint to an engraving can significantly change and enhance its appearance by adding texture, depth, spontaneity, and atmospheric effects. This combination of techniques can result in a more visually compelling and expressive print.

Question 4

In Paul Landacre's Growing Corn,we see a good example of the __________ that can be obtained from the skillful use of wood engraving.

Accepted Answer

A)  ​precise lines and tonal gradations 
B)  ​primitive, broadly grained lines 
C)  ​vertically gouged lines parallel to the wood grain 
D)  ​hazy, blurred lines 
E)  ​nonlinear effect 
A)  ​precise lines and tonal gradations 
B)  ​primitive, broadly grained lines 
C)  ​vertically gouged lines parallel to the wood grain 
D)  ​hazy, blurred lines 
E)  ​nonlinear effect

Question 5

Lithography,invented in the beginning of the nineteenth century by a German playwright,is a planographic,or __________,printing process in which a __________ is used.

Accepted Answer

A)  ​relief; metal plate 
B)  ​surface; wooden block 
C)  ​screen; silkscreen 
D)  ​surface; stone slab 
E)  ​surface; flattened plaster 
A)  ​relief; metal plate 
B)  ​surface; wooden block 
C)  ​screen; silkscreen 
D)  ​surface; stone slab 
E)  ​surface; flattened plaster

Question 6

List five types of intaglio printmaking.

Accepted Answer

Intaglio printmaking is a family of prin

Question 7

__________ is a type of etching that can be used to produce the effects of crayon or pencil drawings.

Accepted Answer

A)  ​Soft-ground etching 
B)  ​Lift ground 
C)  ​Sugar aquatint 
D)  ​Pseudo-mezzotint 
E)  ​Gauffrage 
A)  ​Soft-ground etching 
B)  ​Lift ground 
C)  ​Sugar aquatint 
D)  ​Pseudo-mezzotint 
E)  ​Gauffrage

Question 8

List two reasons why printmaking is an important artistic medium.

Accepted Answer

Printmaking is an important artistic med

Question 9

In The Painter and His Model,Picasso was able to approximate the effects of mezzotint with a much simpler technique known as __________.

Accepted Answer

A)  ​soft-ground etching 
B)  ​woodcut 
C)  ​lift-ground 
D)  ​aquatint 
E)  ​hatching 
A)  ​soft-ground etching 
B)  ​woodcut 
C)  ​lift-ground 
D)  ​aquatint 
E)  ​hatching

Question 10

How is it possible to produce gauffrage,or inkless intaglio prints?

Accepted Answer

Gauffrage, also known as blind embossing

Question 11

A monotype differs from all other printmaking techniques because __________.

Accepted Answer

A)  ​it does not go through a printing press 
B)  ​it is a nonlinear process 
C)  ​it does not have to use ink 
D)  ​the matrix is not a metal plate 
E)  ​it only yields a single, unique image 
A)  ​it does not go through a printing press 
B)  ​it is a nonlinear process 
C)  ​it does not have to use ink 
D)  ​the matrix is not a metal plate 
E)  ​it only yields a single, unique image

Question 12

In the __________ process,the artist creates clean-cut lines on a plate of copper,zinc,or steel by forcing a sharp burin across the surface with the heel of the hand.

Accepted Answer

A)  ​etching 
B)  ​mezzotint 
C)  ​drypoint 
D)  ​engraving 
E)  ​aquatint 
A)  ​etching 
B)  ​mezzotint 
C)  ​drypoint 
D)  ​engraving 
E)  ​aquatint

Question 13

The working surface from which a print is made is called a __________.​

Accepted Answer

A)  ​metal plate 
B)  ​matrix 
C)  ​ground 
D)  ​palette 
E)  ​screen 
A)  ​metal plate 
B)  ​matrix 
C)  ​ground 
D)  ​palette 
E)  ​screen

Question 14

The twentieth-century American abstract artist Josef Albers created Solo V,an inkless intaglio technique known as __________.

Accepted Answer

A)  ​tenebrism 
B)  ​gauffrage 
C)  ​embossing 
D)  ​fenestration 
E)  ​montage 
A)  ​tenebrism 
B)  ​gauffrage 
C)  ​embossing 
D)  ​fenestration 
E)  ​montage

Question 15

In the seventeenth century,a Dutchman developed a technique for mezzotint,from the Italian for __________,in which the metal plate is worked over with a multi-toothed tool called a __________.

Accepted Answer

A)  ​middle tint; hatcher 
B)  ​half-tint; hatcher 
C)  ​half-tint; rocker 
D)  ​middle tint; rocker 
E)  ​multi-tint; hatcher 
A)  ​middle tint; hatcher 
B)  ​half-tint; hatcher 
C)  ​half-tint; rocker 
D)  ​middle tint; rocker 
E)  ​multi-tint; hatcher

Question 16

The oldest form of printmaking is __________,and most likely the first people to use it were the ancient __________.

Accepted Answer

A)  ​lithography; Romans 
B)  ​engraving; Greeks 
C)  ​etching; Babylonians 
D)  ​woodcut; Chinese 
E)  ​serigraphy; Egyptians 
A)  ​lithography; Romans 
B)  ​engraving; Greeks 
C)  ​etching; Babylonians 
D)  ​woodcut; Chinese 
E)  ​serigraphy; Egyptians

Question 17

Explain which of the printmaking processes is most appealing to you and why?

Accepted Answer

The printmaking process that is most app

Question 18

Which of the following types of printmaking is not an essentially linear media?

Accepted Answer

A)  ​woodblock 
B)  ​engraving 
C)  ​etching 
D)  ​mezzotint 
E)  ​drypoint 
A)  ​woodblock 
B)  ​engraving 
C)  ​etching 
D)  ​mezzotint 
E)  ​drypoint

Question 19

Intaglio prints are made from __________ into which lines have been incised.

Accepted Answer

A)  ​blocks of wood 
B)  ​metal plates 
C)  ​stone slabs 
D)  ​silk-screens 
E)  ​heavy paper 
A)  ​blocks of wood 
B)  ​metal plates 
C)  ​stone slabs 
D)  ​silk-screens 
E)  ​heavy paper

Question 20

List four types of matrices used in printmaking.

Accepted Answer

In printmaking, various types of matrice

Exam 9: Printmaking and Graphic Design

The popularity of relief printing declined with the introduction of the __________ process,which did not appear until the fifteenth century.

Describe the processes involved in producing a wood engraving and the range of effects that can be achieved.

Explain how the addition of drypoint can change and enhance the appearance of an engraving.

In Paul Landacre's Growing Corn,we see a good example of the __________ that can be obtained from the skillful use of wood engraving.

Lithography,invented in the beginning of the nineteenth century by a German playwright,is a planographic,or __________,printing process in which a __________ is used.

List five types of intaglio printmaking.

__________ is a type of etching that can be used to produce the effects of crayon or pencil drawings.

List two reasons why printmaking is an important artistic medium.

In The Painter and His Model,Picasso was able to approximate the effects of mezzotint with a much simpler technique known as __________.

How is it possible to produce gauffrage,or inkless intaglio prints?

A monotype differs from all other printmaking techniques because __________.

In the __________ process,the artist creates clean-cut lines on a plate of copper,zinc,or steel by forcing a sharp burin across the surface with the heel of the hand.

The working surface from which a print is made is called a __________.​

The twentieth-century American abstract artist Josef Albers created Solo V,an inkless intaglio technique known as __________.

In the seventeenth century,a Dutchman developed a technique for mezzotint,from the Italian for __________,in which the metal plate is worked over with a multi-toothed tool called a __________.

The oldest form of printmaking is __________,and most likely the first people to use it were the ancient __________.

Explain which of the printmaking processes is most appealing to you and why?

Which of the following types of printmaking is not an essentially linear media?

Intaglio prints are made from __________ into which lines have been incised.

List four types of matrices used in printmaking.

Understanding Art

Line and Shape

Light and Color

Texture and Pattern

Space,Time,and Motion

Principles of Design

Drawing

Painting

Imaging: Photography, Film, Video, and Digital Arts

Sculpture, Installation, Site-Specific Art, and 3d Design

Craft Arts

Architecture and Urban Design

Art of the Ancient World

Greece, Rome, and the Early Judeo-Christian World

The Age of Faith

The Renaissance

The Baroque ERA

The Modern ERA

The Twentieth Century: The Early Years

The Twentieth Century: Postwar to Postmodern

Art Now: A Global Perspective

Filters

Lithography,invented in the beginning of the nineteenth century by a German playwright,is a planographic,or ,printing process in which a is used.

The working surface from which a print is made is called a __________.

In the seventeenth century,a Dutchman developed a technique for mezzotint,from the Italian for ,in which the metal plate is worked over with a multi-toothed tool called a .

The oldest form of printmaking is ,and most likely the first people to use it were the ancient .