Exam 2: Viewers Make Meaning
Exam 1: Images, Power, and Politics26 Questions
Exam 2: Viewers Make Meaning26 Questions
Exam 3: Modernity: Spectatorship, the Gaze, and Power26 Questions
Exam 4: Realism and Perspective: From Renaissance Painting to Digital Media26 Questions
Exam 5: Visual Technologies, Reproduction, and the Copy26 Questions
Exam 6: Media in Everyday Life26 Questions
Exam 7: Brand Culture: the Images and Spaces of Consumption26 Questions
Exam 8: Postmodernism: Irony, Parody, and Pastiche26 Questions
Exam 9: Scientific Looking, Looking at Science26 Questions
Exam 10: The Global Flow of Visual Culture26 Questions
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African-American artist Kara Walker creates large, black-and-white silhouettes that depict black people as age old racist stereotypes. This tactic is part of Walker's ____________ of meaning to address the unequal power relations that exist between those who produce dominant popular culture and those who consume it.
(Multiple Choice)
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Where would a snow globe fall on James Clifford's map of the Art-Culture System?
(Multiple Choice)
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How has the study of aesthetics shifted focus since the early twentieth century?
(Essay)
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Some artists have formed ____________ to critique the economy and culture of the fine artist as creative genius and the gallery system in which fine art acquires value.
(Multiple Choice)
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Traditionally associated with domesticity, safety pins were appropriated by the 1970s punk movement as a form of decoration that signaled a refusal to participate in mainstream domestic culture and disdain for the dreary norms of everyday consumer culture. Another term for this type of signifying practice is ____________.
(Multiple Choice)
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