Exam 1: Images, Power, and Politics
Exam 1: Images, Power, and Politics26 Questions
Exam 2: Viewers Make Meaning26 Questions
Exam 3: Modernity: Spectatorship, the Gaze, and Power26 Questions
Exam 4: Realism and Perspective: From Renaissance Painting to Digital Media26 Questions
Exam 5: Visual Technologies, Reproduction, and the Copy26 Questions
Exam 6: Media in Everyday Life26 Questions
Exam 7: Brand Culture: the Images and Spaces of Consumption26 Questions
Exam 8: Postmodernism: Irony, Parody, and Pastiche26 Questions
Exam 9: Scientific Looking, Looking at Science26 Questions
Exam 10: The Global Flow of Visual Culture26 Questions
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Which of the following most affects our understanding of Dorothea Lange's Migrant Mother as an iconic image?
(Multiple Choice)
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Describe Roland Barthes's concept of myth as it is used in this chapter.
(Essay)
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____________ signs, as discussed by Charles Peirce, involve an "existential" relationship between the sign and the interpretant. This means they have co-existed in the same place at the same time.
(Multiple Choice)
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Several students who attended a massive protest at Hudson University sent photos taken on their phones to the Hudson Gazette. The one the Gazette decided to publish depicted a single individual armed with a can of spray paint. This image was likely selected for its ____________.
(Multiple Choice)
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Levi posts a Facebook selfie of his extended family enjoying themselves on the first day of their Hanukkah celebration. This is an important "Kodak moment" that documents the particular occasion and also affirms family ____________.
(Multiple Choice)
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Explain how Rene Magritte's work The Treachery of Images plays with ideas of representation.
(Essay)
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