Exam 37: Africa, 1800 to 1980
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Kongo peoples have power figures that a trained priest must consecrate. These figures embody powerful spirits. Which of the following are those figures?
(Multiple Choice)
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In Kongo society "white chalk" figures refer to which of the following?
(Multiple Choice)
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The Akan akua'ba sculptures are consecrated at shrines for young women to carry in order to ____.
(Multiple Choice)
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How does the royal ancestral shrine reflect the power of the Benin king?
(Essay)
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How does the Kongo figural sculpture mirror Kongo society? How does it represent their belief systems, and how does this differ from the figural sculpture of the Dogon? Use examples to support your essay.
(Essay)
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How does the mbari house represent the male view of modernity and tradition?
(Essay)
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Which of the following is the name for the ceremonies the Dogon hold every several years in order to honor the lives of those who have died since the last celebration?
(Multiple Choice)
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Describe the roles of men and women in African societies. How do these roles affect the art forms? How are the roles changing, and what impact do these changes have on the art forms? Use examples to support your essay.
(Essay)
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Which of the following accounts for the partial secularization of the masking tradition in 20ᵗʰ century African societies?
(Multiple Choice)
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The Mamy Wata cult was a product of the early 20ᵗʰ century. The "mother of water" was a light-skinned, straight-haired woman who controlled snakes. Which of the following described this cult?
(Multiple Choice)
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The Akan linguist staff becomes a metaphor for the king or chief and can be carried into a meeting where an individual would be contesting the king's title to the stool. Who would carry this staff?
(Multiple Choice)
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Contrast Kuba and Senufo masks. How does each function within its respective society?
(Essay)
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The following two important masks represent the Kuba king's legendary ancestors. They are the founding ancestor, Woot and his daughter the beautiful Ngady Amwaash. During childbirth she sheds tears. What accounts for these tears?
(Multiple Choice)
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A Dogon men's house or Togu na is important to the community because the deliberations, which take place under the sheltering roof, are vital to the community. Which of the following would accurately translate into English the meaning of Togu na?
(Multiple Choice)
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Which of the following supports the necessity of animal sacrifice made by the Benin king?
(Multiple Choice)
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In Mende culture a broad, high forehead signifies which of the following?
(Multiple Choice)
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