Exam 37: Africa, 1800 to 1980
What is the special province of Mamy Wata?
D
Briefly describe African art production.
It was gender specific until recently. Men have usually been the ironsmiths and metalworkers as well as builders and carvers. Women are the painters, potters, and ceramic sculptors. Both men and women weave and bead.
Describe the change and continuing evolution of African art. Use examples to support your essay.
The change and continuing evolution of African art can be seen through various shifts in style, technique, and subject matter over time. One significant change is the incorporation of modern and contemporary influences, as African artists have been exposed to global art movements and have adapted their traditional practices to reflect new ideas and perspectives.
For example, the work of contemporary Nigerian artist Njideka Akunyili Crosby combines elements of traditional African art with Western influences, creating a unique fusion that speaks to the artist's multicultural identity. Her use of collage, painting, and mixed media reflects a departure from traditional African art forms while still maintaining a connection to her cultural heritage.
Another example of the evolution of African art can be seen in the shift from purely functional to more decorative and expressive forms. Traditional African art often served practical purposes, such as masks for ceremonial rituals or sculptures for religious worship. However, contemporary African artists have expanded the boundaries of their art to include more abstract and conceptual works that explore themes of identity, politics, and social issues.
One such artist is El Anatsui from Ghana, whose large-scale metal sculptures made from discarded bottle caps and other found materials challenge traditional notions of African art. His work blurs the line between sculpture and installation, and addresses themes of globalization, consumerism, and environmental sustainability.
Overall, the change and continuing evolution of African art can be seen in the ways that artists are reinterpreting and reimagining traditional forms, experimenting with new materials and techniques, and engaging with contemporary issues. This ongoing evolution reflects the dynamic and diverse nature of African art, and its ability to adapt and thrive in a rapidly changing world.
The gods of the Igbo peoples found in the mbari house are clothed in contemporary and traditional clothing representing concepts of modernity and tradition for the Igbo. Which of the following describes the clothing style for the goddess?
Rock painting was among the most ancient traditions in African art and continued into the 19ᵗʰ century. Some scenes depict the presence of Europeans. Many examples have been found in which of the following countries?
Masquerades have long been a quintessential African expressive form loaded with meaning and cultural importance. Masquerades provided governmental functions for stateless societies. Which of the following groups of peoples would have masquerades?
Mamy Wata shrines feature at least one image of the snake-entwined woman and a mirror. Which of the following is the reason for the mirror?
Elaborate cyclical masquerades occur in which of the following societies?
The Royal ancestral shrine of the Benin represents both the kings and the enduring nature of kingship. Which of the following characteristics represents this notion?
The Akan commemorative head, which is sculpted by a female artist and has a long history in Akan tradition, served which of the following original purposes?
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