Exam 14: Late Medieval Italy
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Which city was at its height of political and economic power when it employed the talents of the sculptor Nicola Pisano?
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(Multiple Choice)
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How did Holy Roman Emperor Frederick II influence the sculptural traditional of Italy?
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He was king of Sicily and a great humanist. His nostalgia for the past grandeur of Rome influenced a revival of interest in Roman sculpture. This renewed interest in the classical past found a voice in the work of Nicola Pisano. Nicola Pisano's work on the pulpit in Pisa exemplifies this fascination with Roman sculpture for the relief panels echo Roman sarcophagi.
Who most strongly influenced the art of Pietro Lorenzetti?
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Which of the following cities was considered the rightful capital of the Roman Catholic Church?
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This historian, Giovanni Villani, wrote in the 14ᵗʰ century that this city was, "the daughter and creature of Rome" suggesting a preeminence inherited from the Roman Empire. Which of the following city-states does this phrase describe?
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Duccio's work occupies the very center of the sanctuary and must be splendid and rich in conveying its precious message. Which of the following works does this describe?
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The work of Giovanni Pisano as seen in his pulpit for Sant'Andrea, Pistoia, shows a nervous energy and emotion not found in the work of his father. It can be said that the work of Giovanni shows an interest in which of the following?
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How did the study of Cicero and the Augustan age shape humanist values in 14ᵗʰ century Italy?
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Which of the following is the monastic order that influenced art through its stress on nature and the primacy of personal experience?
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The Triumph of Death is a powerful depiction of death and the folly of pleasure and the inevitability of death. The Dominicans, an order committed to a life of poverty, participated in the design of this work. Based on this which of the following groups would be portrayed in a negative light?
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How does Giotto's Madonna Enthroned create sculptural solidity and weight?
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Which of the following works describes the Roman school of painting that replaced Byzantine stylized dignity with the careful depiction of light?
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