Exam 21: the Renaissance in Quattrocento Italy
How did Gentile da Fabriano reflect the International style in the first half of the fifteenth century?
He created gorgeous surfaces and sumptuously costumed figures representing all the pomp and circumstance of chivalric etiquette. He used rich color and gold to enhance the scene. But Gentile da Fabriano also inserted into this work, for example the Adoration of the Magi, current elements that indicated that he was aware of the experimental trends in 15ᵗʰ century Florentine art.
How does the work represent logical space?
Masaccio, Holy Trinity . We look down on the tomb and up at the architecture and Trinity. Masaccio uses perspective to differentiate between the sacred and the profane realms. Yet he delineates for the viewer the logical placement of the figures in rational space based on factual observation.
How is this portrait significant?
Ghirlandaio Giovanna Tornabuoni . In this portrait the artist summarizes the state of Florentine art. Ghirlandaio has presented a careful character reading of the young woman. The portrait also tells the viewer the value of the cultivation of beauty and courtly manners as well as the humanist tradition was held in Florentine society.
Explain the effect Florentine patronage had on the development of fifteenth-century art. Use at least three examples to support your essay.
Which of the following describes the Medieval narrative method?
By ____ Donatello revolutionized relief sculpture in his image of Saint George Slaying the Dragon.
What features of this tomb make direct reference back to ancient Roman motifs?
In Masaccio's Expulsion of Adam and Eve from Eden Adam's feet clearly come into contact with the ground. Which of the following is the interpretation for this?
The Classical principle of contrapposto, or weight shift, was reintroduced into Western art by the sculptor ____.
How does the renovation of this church by Alberti demonstrate his ideas about Classical form and harmonic relationships between parts?
Which of the following was the most prominent patron of fifteenth-century Florentine art?
The duke of Mantua commissioned the frescoes of the Camera degli Sposi from Mantegna for which of the following purposes?
In Masaccio's Trinity, he embodies two principal Renaissance interests. One is realism based on observation. Which of the following is the other?
The style of Ghiberti can be characterized as a rhythmic, unified system for depicting space. He is further credited with which of the following?
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