Exam 21: the Renaissance in Quattrocento Italy

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The Ruccellai family commissioned a new facade for Santa Maria Novella a thirteenth century Florentine church. Why is the façade significant?

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How does Gentile da Fabriano reconcile the Adoration of the Magi with the current trends in Florentine Renaissance art?

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In Perugino's Christ Delivering the Keys of the Kingdom to St. Peter, the artist has reminded the viewer of the link between Constantine, St. Peter, and the basilica of St. Peter. Which of the following is the vehicle used as that reminder?

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How did this artist "temper naturalism with artistic license"?

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In Ghiberti's Isaac and his Sons from the east doors of the Baptistery, he arranged the figures in front of grandiose architecture. Which of the following architects stated, "the grandeur of the architecture reflects the dignity of the events shown in the foreground"?

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How do these images symbolize Florence?

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In Masaccio's Trinity, the vanishing point can be found at which of the following?

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Which of the following was the Dominican painter-friar who combined elements of the new style of art with traditional religious devotional works that did not conflict with the content of the works?

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What was the importance to an artist of a papal invitation to Rome?

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What does the interior of Santo Spirito exemplify?

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Which of the following individuals denounced humanist philosophy?

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How did Masaccio create a sense of bulk for his figures in the Tribute Money?

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Who was Savonarola?

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The development of linear perspective is generally credited to ____.

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Describe Donatello's innovations in the sculpture of the fifteenth century. Use examples to support your essay.

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Which Italian city played the most important role in the development of Renaissance ideas and art forms in the early fifteenth century?

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Why was Mantua important to art history in this period?

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In Castagno's Last Supper, where does Judas appear and why?

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Which of the following architects wrote influential treatises on painting and architecture?

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Ghiberti's competitive panel for the Baptistery doors of the Florence Cathedral shows classical references that reflect influences of humanism. Which of the following is a classical reference seen on Ghiberti's panel?

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