Exam 37: Africa, 1800 to 1980

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In which of the following societies can women control and dance certain masks?

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Contrast royal authority and regalia and kingly presentation of the Benin and Kuba. How did history shape their respective views and how have they responded to the 20ᵗʰ century? Use examples to support your essay.

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What kind of veneration is quite common among African cultures?

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How do the large composite Senufo masks function in their society?

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Most Baule figural sculptures appear in which of the following?

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The linked seated couple that clearly documents the gender roles would have been created in which of the following groups?

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How does the seated couple carved by the Dogon represent defined gender roles?

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How has the role of masks and masquerades changed since African nations gained their independence?

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What characterizes African art?

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Which of the following describes the Akan style trait that is found in both clay and wood sculpture?

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How does the sculpture of the Dogon differ from the sculpture of the Kongo?

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What is the purpose of a finely decorated stool or chair?

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Which of the following can describe Kongo nkisi n'kondi figures.

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Contrast Dogon and Baule figural sculpture. How do these works represent their respective societies?

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How does the description of Pieter der Marees, a Dutch visitor to 17ᵗʰ century Ghana assist in documenting Akan burial practices?

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Which of the following describes how Mamy Wata appears in the dreams of her devotees?

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Explain the interplay of realism and abstraction in African art. How does it amplify spiritual belief systems and how is it changing? Use examples to support your essay.

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What is the figure that tops this mask and what does it signify?

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How does the Akan linguist staff represent the king and the proverb, "Food is for its rightful owner, not for the one who happens to be hungry"?

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How is this sculpture unique?

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