Exam 9: Japanese art after 1333
Exam 1: Fourtheenth-Century Art in Europe81 Questions
Exam 2: Fifteenth-century Art in Northern Europe91 Questions
Exam 3: Renaissance art in fifteenth-century Italy86 Questions
Exam 4: Sixteenth-century art in Italy91 Questions
Exam 5: sixteenth-century art in northern Europe and the Iberian peninsula88 Questions
Exam 6: Seventeenth-Century art in Europe89 Questions
Exam 7: art of south and southeast Asia after 120088 Questions
Exam 8: Chinese and Korean art after 127989 Questions
Exam 9: Japanese art after 133387 Questions
Exam 10: Art of the Americas after 130086 Questions
Exam 11: art of pacific cultures86 Questions
Exam 12: art of Africa in the modern era86 Questions
Exam 13: Eighteenth- and early-nineteenth century art in Europe and NORTH America93 Questions
Exam 14: mid-to late nineteenth-century art in Europe and the united states85 Questions
Exam 15: modern art in Europe and the Americas, 1900-195096 Questions
Exam 16: The international scene since 195086 Questions
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Maruyama Okyo perfected methods to incorporate western shading and perspective into his mid-eighteenth century paintings of a more native Japanese decorative style.Who was his most famous pupil?
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__________ are paper-covered sliding doors and can be decorated with paintings.
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The seventeenth-century painter __________,considered the first great painter of the Rimpa school,painted the Waves at Matsushima ,some of the finest surviving golden screens.
(Multiple Choice)
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Muromachi ink painting was heavily influenced by the aesthetics of __________.
(Multiple Choice)
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In addition to its decorative properties,the practical qualities of __________ make it ideal for storage containers and vessels for food and drink.
(Multiple Choice)
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Ike Taiga's View of Kojima Bay blends what country's models with Japanese aesthetics and his own personal brushwork?
(Multiple Choice)
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