Exam 7: art of south and southeast Asia after 1200

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What were the goals of the Indian painter Abanindranath Tagore? Relate these goals to a specific work.Did he achieve his goals? Be as specific as you can in your answer.

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Abanindranath Tagore, an influential Indian painter, had several goals in his artistic career. One of his primary objectives was to establish a distinct Indian art style that was free from the influence of Western art. He aimed to revive traditional Indian art forms and techniques, particularly the Bengal school of art, and to use art as a means of cultural and national revival.

One of his most famous works, "Bharat Mata" (Mother India), exemplifies his goals. This painting depicts a motherly figure representing India, adorned with traditional Indian symbols and motifs. Through this work, Tagore sought to evoke a sense of national pride and unity among Indians.

In many ways, Tagore achieved his goals. He successfully developed a unique Indian art style that incorporated traditional techniques and subject matter. His paintings were instrumental in inspiring a new generation of Indian artists and promoting a sense of national identity. However, it is important to note that his work also faced criticism for its perceived romanticization of Indian culture and its lack of engagement with contemporary social and political issues.

Overall, Abanindranath Tagore's efforts to establish a distinct Indian art style and promote cultural revival were largely successful, as evidenced by the lasting impact of his work on Indian art and culture.

Discuss the characteristics of Tantric Bodhisattva Avalokiteshvara .

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Tantric Bodhisattva Avalokiteshvara, also known as Chenrezig in Tibetan Buddhism, is a highly revered deity with various characteristics in Buddhist tradition. In Tantric Buddhism, Avalokiteshvara is seen as a compassionate and enlightened being who embodies the essence of compassion and mercy.

One of the key characteristics of Avalokiteshvara is his multiple manifestations, which are believed to take various forms in order to aid and guide sentient beings. These manifestations can be male or female and may have numerous arms and heads, symbolizing the ability to reach out and help many beings simultaneously. This aspect of Avalokiteshvara reflects the boundless nature of his compassion and his ability to assist those in need.

Another characteristic of Avalokiteshvara is his association with the principle of karuṇā, or compassion. He is often depicted with the physical attributes of a bodhisattva, such as a gentle and serene countenance, as well as the symbolic attributes of compassion, such as the lotus flower and the wish-fulfilling jewel. Avalokiteshvara is also often depicted with the mantra "Om Mani Padme Hum," which is believed to embody the essence of compassion and is recited by Buddhists as a way to invoke his qualities.

In Tantric Buddhism, Avalokiteshvara is also associated with the transformative power of wisdom and the ability to liberate beings from suffering. This aspect of his character is often symbolized by his association with the Prajnaparamita teachings, which emphasize the perfection of wisdom.

Overall, the characteristics of Tantric Bodhisattva Avalokiteshvara reflect the qualities of compassion, wisdom, and the ability to manifest in various forms in order to benefit sentient beings. His image and teachings continue to be a source of inspiration and guidance for Buddhists around the world.

Portraits became a major art under which ruler's court?

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Consider the significance of the Hoi An excavation.What did it reveal in terms of objects and information?

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Characterize the expression of Buddhist ideals in the bronze statues of the Buddha,produced under royal patronage in Thailand after 1200.

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In the early twentieth century,the British wished to welcome King George V on his visit to India,and commissioned George Wittet to design the __________.

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The twentieth-century Indian painter,__________,rejected the academic approach of Western art and created images that reflect his ethnic origins,such as Bharat Mata (Mother India).

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The enormous gopuras that dominate the vast temple complexes of southern India functioned as ______________.

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Explain Rajput painting.Using a specific example,address the topics of patronage,subject matter,and style.

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Characteristic of a bodhisattva are his __________ garments.

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The Qutb Minar,a minaret at Quwwat ul-Islam Mosque in Delhi was begun by whom __________.

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The emperor Akbar established an imperial workshop of painting that transformed _________traditions into a distinctive Mughal style of painting.

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__________ is the bodhisattva of greatest compassion.

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Consider the impact of the Mughal dynasty on the art and architecture of India.Include in your discussion the contributions of specific rulers through their patronage and interest in the arts.

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Based on the pyramidal towers of the seventh-century southern temple type,gopuras evolved to take on an elegant ________silhouette.

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Explain the term cenotaphs.Cite an example of this term and define the particular architectural features.

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How did Islam enter India? What century? Which ethnic groups? Who were some notable figures?

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__________ are beings who are well advanced on the path to buddahood.

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Consider the context of the Taj Mahal .Who commissioned it and for what purpose? Address its setting,the materials used in its construction,and its design.

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Which object could best be described as a nationalist statement of Indian identity?

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