Question 1

In the amphora Achilles and Ajax Playing Draughts by Exekias,the composition reveals the Greek search for:

Accepted Answer

A)  a spiritual medium. 
B)  emotionally dramatic representations. 
C)  balance and harmony. 
D)  all of these. 
E)  none of these. 
A)  a spiritual medium. 
B)  emotionally dramatic representations. 
C)  balance and harmony. 
D)  all of these. 
E)  none of these.

Question 2

An underground burial chamber marked by a mud-brick structure above is called a mastaba.

Accepted Answer

A) True 
 B)False

Question 3

The Great Pyramids at Giza functioned as:

Accepted Answer

A)  royal tombs. 
B)  navigational signposts for desert travelers. 
C)  battlements for defense. 
D)  all of these. 
E)  none of these. 
A)  royal tombs. 
B)  navigational signposts for desert travelers. 
C)  battlements for defense. 
D)  all of these. 
E)  none of these.

Question 4

Imhotep's design for the architectural climax at Saqqara was a solid structure,large step pyramid that suggests:

Accepted Answer

A)  a celestial marker. 
B)  the superimposition of shrinking mastabas. 
C)  a royal fortress. 
D)  all of these. 
E)  none of these. 
A)  a celestial marker. 
B)  the superimposition of shrinking mastabas. 
C)  a royal fortress. 
D)  all of these. 
E)  none of these.

Question 5

What about the Archaic-style kouros is derived from Egyptian sculpture?

Accepted Answer

The Archaic-style kouros, a type of anci

Question 6

The plan of the palace at Knossos is rambling and labyrinthine.

Accepted Answer

A) True 
 B)False

Question 7

The shallow renderings on the Votive Palette of King Narmer are suppressed into what is essentially a two-dimensional medium called ____________.

Accepted Answer

The answer of The shallow renderings on the Votive Palette...

Question 8

Mycenaean kings were buried with their personal treasures and weapons in large round structures called ____________.

Accepted Answer

The answer of Mycenaean kings were buried with their personal...

Question 9

The calm,axial,idealized form of Apollo in Apollo and the Battle of the Lapiths and the Centaurs represents:

Accepted Answer

A)  the punishment of Prometheus. 
B)  the mastery of reasoned order over brute force. 
C)  defeat of the Etruscan city-states. 
D)  all of these. 
E)  none of these. 
A)  the punishment of Prometheus. 
B)  the mastery of reasoned order over brute force. 
C)  defeat of the Etruscan city-states. 
D)  all of these. 
E)  none of these.

Question 10

Contrapposto originated as the result of the Greeks' interest in the ideal nude human body and in athletic achievement.

Accepted Answer

A) True 
 B)False

Question 11

What about the stele relief of Akhenaten with Nefertiti and Their Children leads one to conclude an equality that seems to have characterized the Amarna period of Egyptian history?

Accepted Answer

The stele relief of Akhenaten with Nefer

Question 12

The stylistic evolution of Greek figurative sculpture is from rigidly posed to ____________.

Accepted Answer

The answer of The stylistic evolution of Greek figurative sculpture...

Question 13

In the Canon of Polykleitos,as promoted by Vitruvius,the width of the shoulders was ____________ of the total height.

Accepted Answer

The answer of In the Canon of Polykleitos,as promoted by...

Question 14

The Doryphoros (Spear Carrier) by Polykleitos is best understood as a visual exemplar of:

Accepted Answer

A)  the Canon. 
B)  Egyptian proportions. 
C)  rigid symmetry and geometry. 
D)  all of these. 
E)  none of these. 
A)  the Canon. 
B)  Egyptian proportions. 
C)  rigid symmetry and geometry. 
D)  all of these. 
E)  none of these.

Question 15

Why did each object in an Egyptian tomb painting have to be shown in its most easily recognized view?

Accepted Answer

In ancient Egyptian tomb paintings, each

Question 16

The interior decorations of the palace at Knossos exhibit characteristics common to Minoan art,including:

Accepted Answer

A)  brightly colored paintings. 
B)  lively rhythms. 
C)  fresco scenes of ceremony or ritual. 
D)  all of these. 
E)  none of these. 
A)  brightly colored paintings. 
B)  lively rhythms. 
C)  fresco scenes of ceremony or ritual. 
D)  all of these. 
E)  none of these.

Question 17

In Egyptian architecture,lintels had to be short and the posts heavy and close together because the stone was ____________ and ____________.

Accepted Answer

The answer of In Egyptian architecture,lintels had to be short...

In the amphora Achilles and Ajax Playing Draughts by Exekias,the composition reveals the Greek search for:

An underground burial chamber marked by a mud-brick structure above is called a mastaba.

The Great Pyramids at Giza functioned as:

Imhotep's design for the architectural climax at Saqqara was a solid structure,large step pyramid that suggests:

What about the Archaic-style kouros is derived from Egyptian sculpture?

The plan of the palace at Knossos is rambling and labyrinthine.

The shallow renderings on the Votive Palette of King Narmer are suppressed into what is essentially a two-dimensional medium called ____________.

Mycenaean kings were buried with their personal treasures and weapons in large round structures called ____________.

The calm,axial,idealized form of Apollo in Apollo and the Battle of the Lapiths and the Centaurs represents:

Contrapposto originated as the result of the Greeks' interest in the ideal nude human body and in athletic achievement.

What about the stele relief of Akhenaten with Nefertiti and Their Children leads one to conclude an equality that seems to have characterized the Amarna period of Egyptian history?

The stylistic evolution of Greek figurative sculpture is from rigidly posed to ____________.

In the Canon of Polykleitos,as promoted by Vitruvius,the width of the shoulders was ____________ of the total height.

The Doryphoros (Spear Carrier) by Polykleitos is best understood as a visual exemplar of:

Why did each object in an Egyptian tomb painting have to be shown in its most easily recognized view?

The interior decorations of the palace at Knossos exhibit characteristics common to Minoan art,including:

In Egyptian architecture,lintels had to be short and the posts heavy and close together because the stone was and .

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Later Ancient Art

Art From 200 to 1000

Art From 1000 to 1400

Fifteenth-Century Art

Sixteenth-Century Art

Seventeenth-Century Art

Eighteenth-Century Art

Nineteenth-Century Art

Art From 1900 to 1949

Art From 1950 to 1999

Art in the New Millennium

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Exam 3: Ancient Art

In the amphora Achilles and Ajax Playing Draughts by Exekias,the composition reveals the Greek search for:

An underground burial chamber marked by a mud-brick structure above is called a mastaba.

The Great Pyramids at Giza functioned as:

Imhotep's design for the architectural climax at Saqqara was a solid structure,large step pyramid that suggests:

What about the Archaic-style kouros is derived from Egyptian sculpture?

The plan of the palace at Knossos is rambling and labyrinthine.

The shallow renderings on the Votive Palette of King Narmer are suppressed into what is essentially a two-dimensional medium called ____________.

Mycenaean kings were buried with their personal treasures and weapons in large round structures called ____________.

The calm,axial,idealized form of Apollo in Apollo and the Battle of the Lapiths and the Centaurs represents:

Contrapposto originated as the result of the Greeks' interest in the ideal nude human body and in athletic achievement.

What about the stele relief of Akhenaten with Nefertiti and Their Children leads one to conclude an equality that seems to have characterized the Amarna period of Egyptian history?

The stylistic evolution of Greek figurative sculpture is from rigidly posed to ____________.

In the Canon of Polykleitos,as promoted by Vitruvius,the width of the shoulders was ____________ of the total height.

The Doryphoros (Spear Carrier) by Polykleitos is best understood as a visual exemplar of:

Why did each object in an Egyptian tomb painting have to be shown in its most easily recognized view?

The interior decorations of the palace at Knossos exhibit characteristics common to Minoan art,including:

In Egyptian architecture,lintels had to be short and the posts heavy and close together because the stone was ____________ and ____________.

Experiencing Art

Prehistoric Art

Later Ancient Art

Art From 200 to 1000

Art From 1000 to 1400

Fifteenth-Century Art

Sixteenth-Century Art

Seventeenth-Century Art

Eighteenth-Century Art

Nineteenth-Century Art

Art From 1900 to 1949

Art From 1950 to 1999

Art in the New Millennium

Filters

In Egyptian architecture,lintels had to be short and the posts heavy and close together because the stone was and .