Exam 36: Oceania Before 1980
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Malanggan refers both to the festivals to honor the deceased and which of the following?
(Multiple Choice)
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Tatanua masks are part of the Malanggan mortuary ceremonies. Which of the following describes the function of Tatanua masks?
(Multiple Choice)
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Who is Jules Sébastien César Dumont d'Urbville and how does he affect the study of Oceania?
(Essay)
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Aside from serving as instruments of communication, what other function did the Iatmul slit-gongs have?
(Multiple Choice)
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Malanggan rites are mortuary festivals. Which of the following explains the purpose of these rites?
(Multiple Choice)
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Contrast the art of tattoo as a symbol designating status and rank in the Polynesian groups of the Marquesas and the Maori. Use specific examples to support your essay.
(Essay)
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How do Maori door lintels express their life views? Include the political and social interchange in your essay.
(Essay)
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Contrast Micronesian life and art imagery with Polynesian life and art imagery. How do they reflect their respective environments and societies? Use examples to support your essay.
(Essay)
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The moai serve as silent sentinels on stone platforms, which were burial sites or were used for religious ceremonies. Based on this, which of the following would the moai depict?
(Multiple Choice)
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The Hevehe cycle of the Elema from Papua New Guinea reinforces the cultural and economic relations and social structure of the community. Which of the following would be the dominant authority in the society?
(Multiple Choice)
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The ceremonial men's house of the Iatmul in Papua New Guinea is associated with which of the following?
(Multiple Choice)
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What did "Dream Time" mean for the Australian aborigines, and what effect did it have on their art?
(Essay)
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The Maori meetinghouse is filled with ancestors who are a very potent force. Which of the following describes the conceptualization of the meetinghouse itself?
(Multiple Choice)
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In Oceanic societies, men derived political authority by excluding women from participating in rituals and certain object-making endeavors. Women were rarely allowed to produce images that had religious or spiritual powers or that conferred status on their users. Which of the following would account for this exclusion?
(Multiple Choice)
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