Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 1900
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Which of the following artists is categorized as a Symbolist?
(Multiple Choice)
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In Klimt's The Kiss, the artist has captured the flamboyance and decadence of the period. How was this painting a visual manifestation of the fin de siècle?
(Multiple Choice)
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What did Whistler mean when he used the term "arrangement" or "nocturne" in reference to his art?
(Essay)
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What aims did the architect synthesize in this building and what role did ornament play?
(Essay)
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Who said: "Instead of trying to reproduce exactly what I have before my eyes, I use color more arbitrarily so as to express myself forcibly . . . I have tried to express the terrible passions of humanity by means of red and green . . ."?
(Multiple Choice)
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Which of the following artists was most concerned with painting realistic scenes of poor and oppressed peoples?
(Multiple Choice)
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Antonio Gaudi longed to create an architectural style that was both modern and appropriate for his native country of Spain. How does Casa Milá represent his ability to conceive a building as a whole and mold it almost as a sculptor would create a figure from clay?
(Multiple Choice)
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In The Night Café, the artist has shown us a benign scene yet the scene has a sense of charged energy and oppressive atmosphere. How did the artist communicate this?
(Multiple Choice)
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Which of the following architects conceived the building as a whole and molded it almost as a clay sculpture?
(Multiple Choice)
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What is the subject of this work and what were the artist's aims in representing it?
(Essay)
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How did cast iron and steel affect architecture in the late 19ᵗʰ century?
(Essay)
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Contrast the work of Moreau and Cézanne. How does each artist respond to the innovations and evolutions of nineteenth century visual arts? Use examples to support your essay.
(Essay)
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One aspect of Rodin's work that ties him to Impressionism is ____.
(Multiple Choice)
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What is the most important feature of Sullivan's Prudential Building that distinguishes it from earlier structures?
(Multiple Choice)
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Briefly describe the avant-garde and its impact on the art of the late 19ᵗʰ century.
(Essay)
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Which of the following ideas did Vincent van Gogh attempt to communicate in his Starry Night?
(Multiple Choice)
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