Exam 17: Japan Before 1333
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Describe Chinese influences on Japanese art and society. Discuss significant changes in Japanese art and architecture. Use examples to support your essay.
(Essay)
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During the Kamakura period, there was more frequent and positive contact with China. Which of the following developments was brought to Japan as a result of this contact?
(Multiple Choice)
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Which of the following were among the earliest Japanese artifacts?
(Multiple Choice)
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Describe the sacred architecture of Japan. Consider outside influences, and explain changes from original designs and construction. Use examples to support your essay.
(Essay)
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The Kondo or Golden Hall of the Horyuji illustrates the sturdy but graceful lines of early Japanese temple architecture. Which of the following did the Japanese builders base on Chinese models and follow for the Golden Hall?
(Multiple Choice)
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The tumuli of the Kofun recall the earlier burial mounds of the Jomon and their funeral practices. Which of the following could describe this Jomon practice?
(Multiple Choice)
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Describe the differences in style between the Shaka Triad and the Yakushi Triad. Include possible outside sources of influence.
(Essay)
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The sculptor who created the Shaka triad for the Horyuji Kondo was ____.
(Multiple Choice)
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The Tale of Genji supports the notion of the significant role played by which of the following in developing the painting style as seen in this scroll?
(Multiple Choice)
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Although the Kofun tombs contained many grave objects, including bronze mirrors from China, it is thought, based on the tomb's form and many of the grave goods, the tombs show a closer relationship with which country?
(Multiple Choice)
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How do these images reflect their respective periods, and what do they say about their societies as well?
(Essay)
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Explain the importance of the excavations of Emperor Nintoku's tumulus mound.
(Essay)
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In the Tale of Genji, the metaphor, which came to mean fading life and love and the season of autumn, is which of the following?
(Multiple Choice)
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In Japanese sacred architecture, pagodas served as which of the following?
(Multiple Choice)
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Describe the patronage system in the Early Heian and Kamakura periods. How did these systems shape Japanese art and architecture? Use examples to support your essay.
(Essay)
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Describe the innovations in technique and composition found in the Tale of Genji. Consider the Japanese imperial court at this time. How did the court influence this work?
(Essay)
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How do these two images reflect Buddhism as practiced in Japanese society during the Heian period?
(Essay)
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