Exam 16: China and Korea to 1279
Exam 14: Late Medieval Italy66 Questions
Exam 15: South and Southeast Asia Before 120080 Questions
Exam 16: China and Korea to 127963 Questions
Exam 17: Japan Before 133363 Questions
Exam 18: Native Arts of the Americas Before 130074 Questions
Exam 19: Africa Before 180072 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: the Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: the Baroque in Italy and Spain35 Questions
Exam 25: the Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 28: Impressionism, Post-impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198074 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198081 Questions
Exam 37: Africa, 1800 to 198078 Questions
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Discuss the development of painting in China, noting the materials and techniques used. What philosophical systems shaped Chinese landscape painting? How does landscape painting describe these systems? Use examples to support your essay.
(Essay)
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One of the scenes from the Wu Family Shrine shows robed men bearing gifts and paying homage to a figure, identity uncertain. This figure is represented as larger than the other figures. What can be interpreted from this image?
(Multiple Choice)
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Which of the following typifies the Tang court and the art it commissioned?
(Multiple Choice)
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Emperor Huizong, an accomplished artist was more interested in the arts than in governing. He reorganized the imperial academy of painting and required the study of poetry and calligraphy as part of the official training program for court artists. Which of the following would also be included in the curriculum?
(Multiple Choice)
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Describe the elements of traditional Chinese architecture and how it developed. Use examples to support your essay.
(Essay)
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Which of the following is most characteristic of the paintings of the northern Song artist Fan Kuan?
(Multiple Choice)
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How do these images reflect the essence of Chinese landscape painting?
(Essay)
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Many Shang bronze vessels were used for rituals and the shape of the vessel matched its function in the ritual. Therefore it can be said that the fabulous animal shape is not purely decorative. Which of the following supports this statement?
(Multiple Choice)
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The Chinese interest in landscape painting was most strongly influenced by which of the following?
(Multiple Choice)
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In Shang bronze vessels the external embellishment is an integral part of the vessel. Which of the following could also describe Shang bronze vessel work?
(Multiple Choice)
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The Silla rulers of Korea embraced Buddhism not only as a source for religious enlightenment but also as a protective force. They constructed Buddhist temples in and around their capital city, Kyongju. Based on this premise, which of the following would describe the Silla perception of these Buddhist temples?
(Multiple Choice)
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Explain the importance of the Dunhuang Grottoes and its legacy to Buddhism.
(Essay)
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During the Six Dynasties, Buddhism arrived in China. The oldest Chinese Buddhist texts describe Buddha as golden and radiating light. The Shakyamuni Buddha of the Six Dynasties is the first precisely datable Chinese Buddhist image. Which of the following is the medium used for this image?
(Multiple Choice)
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