Question 1

In El Greco's View of Toledo, the artist departed from Renaissance painters by not painting ____.

Accepted Answer

A)  a specific location 
B)  Roman monuments 
C)  religious figures 
D)  buildings in detail 
A)  a specific location 
B)  Roman monuments 
C)  religious figures 
D)  buildings in detail

Question 2

The personal tastes of the court of Francis I ran to the elegant, erotic, and unorthodox. Which of the following styles would most appeal to this king and his court?

Accepted Answer

A)  Classicism of 16th-century Italy 
B)  Mannerism 
C)  Expressiveness of Grünewald 
D)  Intellectualism of Leonardo 
A)  Classicism of 16th-century Italy 
B)  Mannerism 
C)  Expressiveness of Grünewald 
D)  Intellectualism of Leonardo

Question 3

In his diary Albrecht Dürer described Joachim Patinir as a good ____.

Accepted Answer

A)  printmaker 
B)  landscape artist 
C)  imitator of Michelangelo 
D)  Mannerist artist 
A)  printmaker 
B)  landscape artist 
C)  imitator of Michelangelo 
D)  Mannerist artist

Question 4

How does this work reflect the growing popularity of landscape?

Accepted Answer

Joachim Patinir, Landscape with Saint Je

Question 5

El Escorial is in which country?

Accepted Answer

A)  Germany 
B)  France 
C)  England 
D)  Spain 
A)  Germany 
B)  France 
C)  England 
D)  Spain

Question 6

The monumental composition and sculpturesque form in Hans Holbein's The French Ambassadors reflects the influence of ____.

Accepted Answer

A)  Italian art 
B)  French art 
C)  Medieval art 
D)  Gothic art 
A)  Italian art 
B)  French art 
C)  Medieval art 
D)  Gothic art

Question 7

What is the Roman source and story that surrounds this painting?

Accepted Answer

Lucas Cranach the Elder, Judgment of Par

Question 8

How did the Reformation change the map of Europe?

Accepted Answer

The growing dissatisfaction with Church

Question 9

Explain the impact Italy had on the work of Dürer. Include in your essay the assimilations as well as the changes, if any, Dürer made. Use examples to support your essay.

Accepted Answer

The impact Italy had on the work of Düre

Question 10

During the second half of the 16th century, ____ controlled the Netherlands.

Accepted Answer

A)  Count Orgaz 
B)  Wilhelm IV 
C)  Francis I 
D)  Philip II 
A)  Count Orgaz 
B)  Wilhelm IV 
C)  Francis I 
D)  Philip II

Question 11

In the ____, a band of Calvinists destroyed art works in Catholic churches in the Netherlands.

Accepted Answer

A)  Thirty Years' War 
B)  Great Iconoclasm 
C)  Saint Anthony's Fire 
D)  Counter-Reformation 
A)  Thirty Years' War 
B)  Great Iconoclasm 
C)  Saint Anthony's Fire 
D)  Counter-Reformation

Question 12

How did Dürer represent himself in his Self-Portrait, and what does this work say about the artist's craft?

Accepted Answer

Albrecht Dürer, Self-Portrait . This ima

Question 13

Why is Dürer compared to Leonardo? How is he different?

Accepted Answer

Like Leonardo, Dürer wrote theoretical t

Question 14

Describe the portraiture styles of Hans Holbein and Jean Clouet. How did they differ, if at all? What were the motivations of the patrons? Use examples to support your essay.

Accepted Answer

Hans Holbein and Jean Clouet were both r

Question 15

How did the Reformation affect the artists of 16th-century northern Europe and Spain? How did they respond to the Reformation? Use examples to support your essay.

Accepted Answer

The Reformation had a significant impact

Question 16

Who was Desiderius Erasmus?

Accepted Answer

He was a Christian humanist, that is, a

Question 17

The Protestant concern about the role of religious imagery was in many cases outright hostile. Martin Luther spoke about destroying images. This destruction of religious imagery also occurred during the Byzantine period. Which of the following defines this act?

Accepted Answer

A)  Idolatry 
B)  Iconography 
C)  Iconoclasm 
D)  Iconology 
A)  Idolatry 
B)  Iconography 
C)  Iconoclasm 
D)  Iconology

Question 18

Jean Clouet presented Francis I as a ____.

Accepted Answer

A)  revolutionary 
B)  deeply pious figure 
C)  worldly leader 
D)  humble man 
A)  revolutionary 
B)  deeply pious figure 
C)  worldly leader 
D)  humble man

Question 19

The German artist who was dubbed with the title "painter of the Reformation" is ____.

Accepted Answer

A)  Lucas Cranach the Elder 
B)  Albrecht Dürer 
C)  Matthias Grünewald 
D)  Hans Holbein 
A)  Lucas Cranach the Elder 
B)  Albrecht Dürer 
C)  Matthias Grünewald 
D)  Hans Holbein

Question 20

Who created Knight, Death, and the Devil?

Accepted Answer

A)  Albrecht Dürer 
B)  Cranach the Elder 
C)  Jean Goujon 
D)  Jan Gossaert 
A)  Albrecht Dürer 
B)  Cranach the Elder 
C)  Jean Goujon 
D)  Jan Gossaert

In El Greco's View of Toledo, the artist departed from Renaissance painters by not painting ____.

The personal tastes of the court of Francis I ran to the elegant, erotic, and unorthodox. Which of the following styles would most appeal to this king and his court?

In his diary Albrecht Dürer described Joachim Patinir as a good ____.

How does this work reflect the growing popularity of landscape?

El Escorial is in which country?

The monumental composition and sculpturesque form in Hans Holbein's The French Ambassadors reflects the influence of ____.

What is the Roman source and story that surrounds this painting?

How did the Reformation change the map of Europe?

Explain the impact Italy had on the work of Dürer. Include in your essay the assimilations as well as the changes, if any, Dürer made. Use examples to support your essay.

During the second half of the 16th century, ____ controlled the Netherlands.

In the ____, a band of Calvinists destroyed art works in Catholic churches in the Netherlands.

How did Dürer represent himself in his Self-Portrait, and what does this work say about the artist's craft?

Why is Dürer compared to Leonardo? How is he different?

Describe the portraiture styles of Hans Holbein and Jean Clouet. How did they differ, if at all? What were the motivations of the patrons? Use examples to support your essay.

How did the Reformation affect the artists of 16th-century northern Europe and Spain? How did they respond to the Reformation? Use examples to support your essay.

Who was Desiderius Erasmus?

The Protestant concern about the role of religious imagery was in many cases outright hostile. Martin Luther spoke about destroying images. This destruction of religious imagery also occurred during the Byzantine period. Which of the following defines this act?

Jean Clouet presented Francis I as a ____.

The German artist who was dubbed with the title "painter of the Reformation" is ____.

Who created Knight, Death, and the Devil?

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

Renaissance and Mannerism in Cinquecento Italy

The Baroque in Italy and Spain

Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America, 1800 to 1870

Modernism in Europe and America, 1900 to 1945

Modernism and Postmodernism in Europe and America, 1945 to 1980

Contemporary Art Worldwide

South and Southeast Asia, 1200 to 1980

China and Korea, 1279 to 1980

Japan, 1336 to 1980

Native Arts of the Americas, 1300 to 1980

Oceania Before 1980

Africa, 1800 to 1980

Filters

Exam 23: High Renaissance and Mannerism in Northern Europe and Spain

In El Greco's View of Toledo, the artist departed from Renaissance painters by not painting ____.

The personal tastes of the court of Francis I ran to the elegant, erotic, and unorthodox. Which of the following styles would most appeal to this king and his court?

In his diary Albrecht Dürer described Joachim Patinir as a good ____.

How does this work reflect the growing popularity of landscape?

El Escorial is in which country?

The monumental composition and sculpturesque form in Hans Holbein's The French Ambassadors reflects the influence of ____.

What is the Roman source and story that surrounds this painting?

How did the Reformation change the map of Europe?

Explain the impact Italy had on the work of Dürer. Include in your essay the assimilations as well as the changes, if any, Dürer made. Use examples to support your essay.

During the second half of the 16th century, ____ controlled the Netherlands.

In the ____, a band of Calvinists destroyed art works in Catholic churches in the Netherlands.

How did Dürer represent himself in his Self-Portrait, and what does this work say about the artist's craft?

Why is Dürer compared to Leonardo? How is he different?

Describe the portraiture styles of Hans Holbein and Jean Clouet. How did they differ, if at all? What were the motivations of the patrons? Use examples to support your essay.

How did the Reformation affect the artists of 16th-century northern Europe and Spain? How did they respond to the Reformation? Use examples to support your essay.

Who was Desiderius Erasmus?

The Protestant concern about the role of religious imagery was in many cases outright hostile. Martin Luther spoke about destroying images. This destruction of religious imagery also occurred during the Byzantine period. Which of the following defines this act?

Jean Clouet presented Francis I as a ____.

The German artist who was dubbed with the title "painter of the Reformation" is ____.

Who created Knight, Death, and the Devil?

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

Renaissance and Mannerism in Cinquecento Italy

The Baroque in Italy and Spain

Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America, 1800 to 1870

Modernism in Europe and America, 1900 to 1945

Modernism and Postmodernism in Europe and America, 1945 to 1980

Contemporary Art Worldwide

South and Southeast Asia, 1200 to 1980

China and Korea, 1279 to 1980

Japan, 1336 to 1980

Native Arts of the Americas, 1300 to 1980

Oceania Before 1980

Africa, 1800 to 1980

Filters