Question 1

Who built this building, and what are some of the features that depart from the traditional classical canons and mark it as Mannerist?

Accepted Answer

Giulio Romano's Palazzo del Tè is Mannerist architecture. This building breaks the rules of good design by creating ambiguities and tensions.

Question 2

Reflecting the influence of ____, Raphael included his portrait in the reflection in his painting of Pope Leo X.

Accepted Answer

A)  Mannerism 
B)  Giotto 
C)  Netherlandish art 
D)  Venetian painters 
A)  Mannerism 
B)  Giotto 
C)  Netherlandish art 
D)  Venetian painters C

Question 3

How does Giorgione exemplify Poesia?

Accepted Answer

His work becomes literally a poem. The figures emerge from dense shadows. The lighting is enigmatic, and the bodies are softly modeled. The atmosphere is modulated by smoky shadow.

Question 4

Michelangelo deviated from earlier representations of David in his rendition by portraying ____.

Accepted Answer

A)  the moment of victory 
B)  the encounter before the battle 
C)  the defeat of Goliath 
D)  David watching Goliath die 
A)  the moment of victory 
B)  the encounter before the battle 
C)  the defeat of Goliath 
D)  David watching Goliath die

Question 5

What does the Tempietto mark?

Accepted Answer

It marks the conject

Question 6

What debate over medium ensued in 15th century?

Accepted Answer

Although working in a variety of media,

Question 7

The term Accadian landscape, as seen in Bellini's Feast of the Gods, refers to ____.

Accepted Answer

A)  Greek countryside 
B)  Florentine countryside 
C)  an idyllic place 
D)  Elysian Fields 
A)  Greek countryside 
B)  Florentine countryside 
C)  an idyllic place 
D)  Elysian Fields

Question 8

How does the work of Veronese reflect Venice in the late 16th century?

Accepted Answer

He painted sumptuous pageants

Question 9

What commissions did the Medici popes give to Michelangelo?

Accepted Answer

Leo X and Clement VII commissi

Question 10

How is Titian's Venus of Urbino significant?

Accepted Answer

He established the composition

Question 11

What features of this painting mark it as Mannerist?

Accepted Answer

Bronzino, Venus, Cupid, Folly,

Question 12

What element of Antonio da Sangallo's design for the Palazzo Farnese separates it from 14th-century palaces?

Accepted Answer

Antonio da Sangallo the Younger, Palazzo

Question 13

In his representation of Pope Leo X, Raphael did not portray him as head of state, but rather as a ____.

Accepted Answer

A)  man of learning and a collector 
B)  warrior 
C)  philospher 
D)  humble Franciscan 
A)  man of learning and a collector 
B)  warrior 
C)  philospher 
D)  humble Franciscan

Question 14

What features reveal this artist's Mannerist approach?

Accepted Answer

Benvenuto Cellini, Saltcellar of Francis

Question 15

In Leonardo's Last Supper, how did the artist break with traditional iconography?

Accepted Answer

A)  By the placement of Judas on the same side as Christ and the other disciples 
B)  By including the Magdalene in the role of servant 
C)  By including the Virgin seated at the table 
D)  By not including Judas at all 
A)  By the placement of Judas on the same side as Christ and the other disciples 
B)  By including the Magdalene in the role of servant 
C)  By including the Virgin seated at the table 
D)  By not including Judas at all

Question 16

What features mark this work as High Renaissance?

Accepted Answer

Leonardo da Vinci's Last Supper . Leonar

Question 17

What made this painting a proclaimed "marvel" by Pope Clement VII?

Accepted Answer

Parmigianino, Self-Portrait in a Convex

Question 18

____ was the most influential church building in the later cinquecento.

Accepted Answer

A)  The Villa Rotonda 
B)  The Tempietto 
C)  Il Gesù 
D)  The Laurentian Library 
A)  The Villa Rotonda 
B)  The Tempietto 
C)  Il Gesù 
D)  The Laurentian Library

Question 19

Which of the following was the mother church for the Jesuits in Rome?

Accepted Answer

A)  Saint Peter's 
B)  Il Gesù 
C)  San Giorgio Maggiore 
D)  Santa Maria Maggiore 
A)  Saint Peter's 
B)  Il Gesù 
C)  San Giorgio Maggiore 
D)  Santa Maria Maggiore

Question 20

What innovations occurred in portraiture in the 16th century, and how did portraiture develop?

Accepted Answer

In the 16th century, portraiture saw sev

Who built this building, and what are some of the features that depart from the traditional classical canons and mark it as Mannerist?

Reflecting the influence of ____, Raphael included his portrait in the reflection in his painting of Pope Leo X.

How does Giorgione exemplify Poesia?

Michelangelo deviated from earlier representations of David in his rendition by portraying ____.

What does the Tempietto mark?

What debate over medium ensued in 15th century?

The term Accadian landscape, as seen in Bellini's Feast of the Gods, refers to ____.

How does the work of Veronese reflect Venice in the late 16th century?

What commissions did the Medici popes give to Michelangelo?

How is Titian's Venus of Urbino significant?

What features of this painting mark it as Mannerist?

What element of Antonio da Sangallo's design for the Palazzo Farnese separates it from 14th-century palaces?

In his representation of Pope Leo X, Raphael did not portray him as head of state, but rather as a ____.

What features reveal this artist's Mannerist approach?

In Leonardo's Last Supper, how did the artist break with traditional iconography?

What features mark this work as High Renaissance?

What made this painting a proclaimed "marvel" by Pope Clement VII?

____ was the most influential church building in the later cinquecento.

Which of the following was the mother church for the Jesuits in Rome?

What innovations occurred in portraiture in the 16th century, and how did portraiture develop?

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

High Renaissance and Mannerism in Northern Europe and Spain

The Baroque in Italy and Spain

Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America, 1800 to 1870

Modernism in Europe and America, 1900 to 1945

Modernism and Postmodernism in Europe and America, 1945 to 1980

Contemporary Art Worldwide

South and Southeast Asia, 1200 to 1980

China and Korea, 1279 to 1980

Japan, 1336 to 1980

Native Arts of the Americas, 1300 to 1980

Oceania Before 1980

Africa, 1800 to 1980

Filters

Exam 22: Renaissance and Mannerism in Cinquecento Italy

Who built this building, and what are some of the features that depart from the traditional classical canons and mark it as Mannerist?

Reflecting the influence of ____, Raphael included his portrait in the reflection in his painting of Pope Leo X.

How does Giorgione exemplify Poesia?

Michelangelo deviated from earlier representations of David in his rendition by portraying ____.

What does the Tempietto mark?

What debate over medium ensued in 15th century?

The term Accadian landscape, as seen in Bellini's Feast of the Gods, refers to ____.

How does the work of Veronese reflect Venice in the late 16th century?

What commissions did the Medici popes give to Michelangelo?

How is Titian's Venus of Urbino significant?

What features of this painting mark it as Mannerist?

What element of Antonio da Sangallo's design for the Palazzo Farnese separates it from 14th-century palaces?

In his representation of Pope Leo X, Raphael did not portray him as head of state, but rather as a ____.

What features reveal this artist's Mannerist approach?

In Leonardo's Last Supper, how did the artist break with traditional iconography?

What features mark this work as High Renaissance?

What made this painting a proclaimed "marvel" by Pope Clement VII?

____ was the most influential church building in the later cinquecento.

Which of the following was the mother church for the Jesuits in Rome?

What innovations occurred in portraiture in the 16th century, and how did portraiture develop?

Late Medieval Italy

Late Medieval and Early Renaissance Northern Europe

The Renaissance in Quattrocento Italy

High Renaissance and Mannerism in Northern Europe and Spain

The Baroque in Italy and Spain

Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

The Baroque in Northern Europe

Rococo to Neoclassicism: the 18th Century in Europe and America

Romanticism, Realism, Photography: Europe and America, 1800 to 1870

Modernism in Europe and America, 1900 to 1945

Modernism and Postmodernism in Europe and America, 1945 to 1980

Contemporary Art Worldwide

South and Southeast Asia, 1200 to 1980

China and Korea, 1279 to 1980

Japan, 1336 to 1980

Native Arts of the Americas, 1300 to 1980

Oceania Before 1980

Africa, 1800 to 1980

Filters