Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 1980
Exam 14: Late Medieval Italy66 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: The Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: The Baroque in Italy and Spain35 Questions
Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 25: The Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198072 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198080 Questions
Exam 37: Africa, 1800 to 198074 Questions
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Select three works of art or architecture and evaluate their significance. How does each respond to the issues of modernity and postmodernity? How are they relevant? How do they reveal the 20th and 21st centuries?
(Essay)
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____ sought to harness the communicative power of art to reach a wide audience.
(Multiple Choice)
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John Cage encouraged his students to link their art to which of the following?
(Multiple Choice)
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How did the principles and the techniques of the Minimalists differ from those of the Abstract Expressionists? Use specific works to illustrate your discussion.
(Essay)
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Which of the following painters illustrates Clement Greenberg's insistence "on purity in art"?
(Multiple Choice)
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