Exam 37: Africa, 1800 to 1980
Exam 14: Late Medieval Italy66 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe63 Questions
Exam 21: The Renaissance in Quattrocento Italy72 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy67 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain65 Questions
Exam 24: The Baroque in Italy and Spain35 Questions
Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 190045 Questions
Exam 25: The Baroque in Northern Europe40 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America31 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187060 Questions
Exam 29: Modernism in Europe and America, 1900 to 194582 Questions
Exam 30: Modernism and Postmodernism in Europe and America, 1945 to 198048 Questions
Exam 31: Contemporary Art Worldwide49 Questions
Exam 32: South and Southeast Asia, 1200 to 198081 Questions
Exam 33: China and Korea, 1279 to 198072 Questions
Exam 34: Japan, 1336 to 198083 Questions
Exam 35: Native Arts of the Americas, 1300 to 198083 Questions
Exam 36: Oceania Before 198080 Questions
Exam 37: Africa, 1800 to 198074 Questions
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The door carved by Olowe of Ise is a very fine example of his work. It also records the presence of the Europeans as colonists among the Yoruba. What event is depicted on the doors?
(Multiple Choice)
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Masquerades have long been a quintessential African expressive form loaded with meaning and cultural importance. Masquerades provided governmental functions for stateless societies. Which of the following groups of peoples would have masquerades?
(Multiple Choice)
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How does the seated couple carved by the Dogon represent defined gender roles?
(Essay)
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In Mende culture a broad, high forehead signifies which of the following?
(Multiple Choice)
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What is the primary function of masks and masqueraders in traditional African culture?
(Multiple Choice)
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Why are bush spirits depicted as beautiful, ideal human figures in Baule sculpture?
(Multiple Choice)
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How does the Kongo figural sculpture mirror Kongo society? How does it represent their belief systems, and how does this differ from the figural sculpture of the Dogon? Use examples to support your essay.
(Essay)
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Elaborate cyclical masquerades occur in which of the following societies?
(Multiple Choice)
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How does the sculpture of the Dogon differ from the sculpture of the Kongo?
(Multiple Choice)
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Describe the impact of European and American contact on 20th-century African art. Include the contemporary influences as well. How have European and American contact changed African art and perceptions? Use examples to support your essay.
(Essay)
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In which of the following societies can women control and dance certain masks?
(Multiple Choice)
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How has the role of masks and masquerades changed since African nations gained their independence?
(Essay)
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Explain the interplay of realism and abstraction in African art. How does it amplify spiritual belief systems, and how is it changing? Use examples to support your essay.
(Essay)
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