Exam 33: The International Scene Since 1950
Exam 1: Prehistoric Art in Europ97 Questions
Exam 2: Art of the Ancient Near East84 Questions
Exam 3: Art of Ancient Egypt108 Questions
Exam 4: Art of the Ancient Aegean75 Questions
Exam 5: Art of Ancient Greece131 Questions
Exam 6: Etruscan and Roman Art113 Questions
Exam 7: Jewish and Early Christian Art58 Questions
Exam 8: Byzantine Art60 Questions
Exam 9: Islamic Art87 Questions
Exam 10: Art of South and Southeast Asia Before 120078 Questions
Exam 11: Chinese and Korean Art Before 127979 Questions
Exam 12: Japanese Art Before 133354 Questions
Exam 13: Art of the Americas Before 130066 Questions
Exam 14: Early African Art59 Questions
Exam 15: Early Medieval Art in Europe64 Questions
Exam 16: Romanesque Art89 Questions
Exam 17: Gothic Art of the Twelfth and Thirteenth Centuries76 Questions
Exam 18: Fourteenth-century Art in Europe81 Questions
Exam 19: Fifteenth-century Art in Northern Europe92 Questions
Exam 20: Renaissance Art in Fifteenth-century Italy86 Questions
Exam 21: Sixteenth-century Art in Italy91 Questions
Exam 22: Sixteenth-century Art in Northern Europe and the Iberian Peninsula88 Questions
Exam 23: Seventeenth-century Art in Europe89 Questions
Exam 24: Art of South and Southeast Asia After 120088 Questions
Exam 25: Chinese and Korean Art After 127989 Questions
Exam 26: Japanese Art After 133387 Questions
Exam 27: Art of the Americas After 130086 Questions
Exam 28: Art of Pacific Cultures86 Questions
Exam 29: Art of Africa in the Modern Era86 Questions
Exam 30: Eighteenth- and Early-nineteenth Century Art in Europe and North America93 Questions
Exam 31: Mid-to Late Nineteenth-century Art in Europe and the United States85 Questions
Exam 32: Modern Art in Europe and the Americas, 1900-195096 Questions
Exam 33: The International Scene Since 195086 Questions
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How did Carolee Schneemann's performances challenge the traditional role of women as subjects in art?
(Multiple Choice)
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Allan Kaprow and Yves Klein were both associated with __________.
(Multiple Choice)
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________________ is the term for artists' use of actions, movements, and gestures of their own bodies.
(Multiple Choice)
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In the 1950s and 1960s several artists argued that ______________was just as important as a finished art object.
(Multiple Choice)
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Saarinen wanted to evoke the excitement of air travel in his expressive and swooping design for a/an __________.
(Multiple Choice)
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_______________ was the logical extension of the Minimalist move away from the handcrafted object.
(Multiple Choice)
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What term is related to the wide range of artistic styles, interests, and cultural meanings that developed during the Postmodern period in art?
(Multiple Choice)
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Many feminist artists embraced craft media because _________________.
(Multiple Choice)
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Joseph Beuys developed a ______________ in performances to explain the inexplicable.
(Multiple Choice)
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A major aim of first-generation feminist artists was _______________.
(Multiple Choice)
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Why did the Minimal artists eliminate personal feeling and social references from their work?
(Short Answer)
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Mendieta's Tree of Life celebrates the notion that women ___________.
(Multiple Choice)
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Chris Ofili's painting The Holy Virgin Mary was at the center of a controversy about public __________ in the arts.
(Multiple Choice)
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Using examples from each of the last four decades, write an essay comparing how contemporary artists have addressed the issue of identity. Consider their varied strategies, media, and aesthetics, as well as how their interests have been altered by cultural changes over the last 40 years.
(Essay)
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The works of Joseph Beuys and ____________ inspired Ana Mendieta.
(Multiple Choice)
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