Exam 27: Art of the Americas After 1300
For the Great Plains people, what is the purpose of the hole in the top of a tipi?
B
The term __________ derives from the word Atzlan, a mythical place northwest of the Valley of Mexico.
B
What kinds of textiles had great prestige among the Northwest Coast people?
Among the Northwest Coast peoples, which include various indigenous groups such as the Haida, Tlingit, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth, and Coast Salish, certain textiles were highly valued and held great prestige. These textiles were not only practical in terms of warmth and protection but also served as important cultural symbols and were often associated with wealth, status, and ceremonial use.
The most prestigious textiles among these communities were:
1. Chilkat Blankets: These are among the most famous textiles produced by the Tlingit and other Northwest Coast peoples. Chilkat blankets are woven from mountain goat wool and cedar bark and are known for their intricate designs and complex weaving techniques. The designs often depict traditional stories and crests that are significant to the wearer's clan.
2. Button Blankets: These are wool blankets adorned with mother-of-pearl buttons, creating bold crest designs. Button blankets are used in ceremonial contexts, such as potlatches, dances, and other important gatherings. They are a relatively newer form of art, emerging after European contact when trade introduced new materials like wool cloth and buttons.
3. Ravenstail Weavings: Preceding the Chilkat blankets, Ravenstail weavings are another form of textile art that was highly regarded. These textiles are characterized by geometric patterns and were typically made from mountain goat wool. They were used for robes, aprons, and bags.
4. Spruce Root and Cedar Bark Baskets: While not textiles in the traditional sense, these baskets were intricately woven and served both utilitarian and ceremonial purposes. They were often waterproofed and could be very finely crafted, indicating the high skill level of the weaver.
5. Wool Blankets and Robes: Before the introduction of commercial wool, the indigenous peoples of the Northwest Coast spun wild mountain goat wool and sometimes dog hair to create blankets and robes. These textiles were often dyed with natural substances and could be quite elaborate.
The creation and use of these textiles were deeply embedded in the social and ceremonial life of the Northwest Coast peoples. The patterns and motifs used in these textiles were more than just art; they were expressions of identity, lineage, and social status, and they played a crucial role in storytelling and preserving the history and mythology of the people.
What were the building traditions of the Incas?
Hosteen Klah was a nadle, or Navajo third __________, and could learn both female and male arts.
The term Inca refers to both the ruler and to the __________.
Why has the divide between craft and art persisted in the art of indigenous peoples?
Traditional designs used in quillwork and beadwork are characterized by ___________.
The Studio School led by Dorothy Dunn taught students to combine qualities of folk art and _______with "Indian" subject matter to create a stereotypical style of art that appealed to collectors and tourists.
How does the National Museum of the American Indian convey Native American ideals in its design?
What Native American group of women were highly regarded for their weaving?
What was the goal of the Spanish in approaching the New World?
The Spanish were not interested in Inca __________, but in the vast quantities of gold and silver.
What are the common traits of the different Native American peoples in their art?
Decorative beadwork did not become commonplace until after __________ contact.
Which statement best describes the interests of Native American Jaune Quick-to-See Smith ?
Woodlands art focused on personal adornment and fragile arts such as __________.
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