Question 1

What is unusual about women's role in the construction of Maori meeting houses?

Accepted Answer

A)  They are responsible for painting many of the exterior details. 
B)  Ritual prohibitions prevent them from entering the building. 
C)  Their ceremonial role demands that they stay at the site for several months. 
D)  All of the above. 
A)  They are responsible for painting many of the exterior details. 
B)  Ritual prohibitions prevent them from entering the building. 
C)  Their ceremonial role demands that they stay at the site for several months. 
D)  All of the above.

Question 2

Far-fetched theories regarding the origins of moai on Rapu Nui are challenged by _______________.

Accepted Answer

A)  recent archaeological evidence 
B)  rock paintings at the site 
C)  their similarity to established Polynesian traditions 
D)  none of the above 
A)  recent archaeological evidence 
B)  rock paintings at the site 
C)  their similarity to established Polynesian traditions 
D)  none of the above

Question 3

The Asmat culture's production of Bisj spirit poles reflects their belief that_______________.

Accepted Answer

A)  Spirits can be called upon to settle disputes, stop fights, and punish lawmakers. 
B)  Relatives must avenge the death of their ancestors. 
C)  Wealth and status can be attained through homage to one's ancestors. 
D)  Ancestral spirit beings arrived from the sea and took many different forms. 
A)  Spirits can be called upon to settle disputes, stop fights, and punish lawmakers. 
B)  Relatives must avenge the death of their ancestors. 
C)  Wealth and status can be attained through homage to one's ancestors. 
D)  Ancestral spirit beings arrived from the sea and took many different forms.

Question 4

How did the Aboriginal artists use cross-hatching?

Accepted Answer

Aboriginal artists have used cross-hatch

Question 5

All of the following statements about tattooing in the Marquesas islands are true EXCEPT __________.

Accepted Answer

A)  Tattooing is considered taboo among women in the culture 
B)  Evidence suggests a relationship between tattooing and markings applied to pottery 
C)  Tattooing was a sacred process conducted in special houses built for the occasion. 
D)  Tattooing was done to mark passages in people's lives and commemorate special events. 
A)  Tattooing is considered taboo among women in the culture 
B)  Evidence suggests a relationship between tattooing and markings applied to pottery 
C)  Tattooing was a sacred process conducted in special houses built for the occasion. 
D)  Tattooing was done to mark passages in people's lives and commemorate special events.

Question 6

The people of New Ireland, Papua New Guinea create a special structure called a Malagan Display to house elaborately carved and painted sculptures for what purpose?

Accepted Answer

A)  honor the dead 
B)  celebrate a victory in battle 
C)  initiate adolescents 
D)  wedding ceremonies 
A)  honor the dead 
B)  celebrate a victory in battle 
C)  initiate adolescents 
D)  wedding ceremonies

What is unusual about women's role in the construction of Maori meeting houses?

Far-fetched theories regarding the origins of moai on Rapu Nui are challenged by _______________.

The Asmat culture's production of Bisj spirit poles reflects their belief that_______________.

How did the Aboriginal artists use cross-hatching?

All of the following statements about tattooing in the Marquesas islands are true EXCEPT __________.

The people of New Ireland, Papua New Guinea create a special structure called a Malagan Display to house elaborately carved and painted sculptures for what purpose?

Prehistoric Art in Europ

Art of the Ancient Near East

Art of Ancient Egypt

Art of the Ancient Aegean

Art of Ancient Greece

Etruscan and Roman Art

Jewish and Early Christian Art

Byzantine Art

Islamic Art

Art of South and Southeast Asia Before 1200

Chinese and Korean Art Before 1279

Japanese Art Before 1333

Art of the Americas Before 1300

Early African Art

Early Medieval Art in Europe

Romanesque Art

Gothic Art of the Twelfth and Thirteenth Centuries

Fourteenth-century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance Art in Fifteenth-century Italy

Sixteenth-century Art in Italy

Sixteenth-century Art in Northern Europe and the Iberian Peninsula

Seventeenth-century Art in Europe

Art of South and Southeast Asia After 1200

Chinese and Korean Art After 1279

Japanese Art After 1333

Art of the Americas After 1300

Art of Africa in the Modern Era

Eighteenth- and Early-nineteenth Century Art in Europe and North America

Mid-to Late Nineteenth-century Art in Europe and the United States

Modern Art in Europe and the Americas, 1900-1950

The International Scene Since 1950

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Exam 28: Art of Pacific Cultures

What is unusual about women's role in the construction of Maori meeting houses?

Far-fetched theories regarding the origins of moai on Rapu Nui are challenged by _______________.

The Asmat culture's production of Bisj spirit poles reflects their belief that_______________.

How did the Aboriginal artists use cross-hatching?

All of the following statements about tattooing in the Marquesas islands are true EXCEPT __________.

The people of New Ireland, Papua New Guinea create a special structure called a Malagan Display to house elaborately carved and painted sculptures for what purpose?

Prehistoric Art in Europ

Art of the Ancient Near East

Art of Ancient Egypt

Art of the Ancient Aegean

Art of Ancient Greece

Etruscan and Roman Art

Jewish and Early Christian Art

Byzantine Art

Islamic Art

Art of South and Southeast Asia Before 1200

Chinese and Korean Art Before 1279

Japanese Art Before 1333

Art of the Americas Before 1300

Early African Art

Early Medieval Art in Europe

Romanesque Art

Gothic Art of the Twelfth and Thirteenth Centuries

Fourteenth-century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance Art in Fifteenth-century Italy

Sixteenth-century Art in Italy

Sixteenth-century Art in Northern Europe and the Iberian Peninsula

Seventeenth-century Art in Europe

Art of South and Southeast Asia After 1200

Chinese and Korean Art After 1279

Japanese Art After 1333

Art of the Americas After 1300

Art of Africa in the Modern Era

Eighteenth- and Early-nineteenth Century Art in Europe and North America

Mid-to Late Nineteenth-century Art in Europe and the United States

Modern Art in Europe and the Americas, 1900-1950

The International Scene Since 1950

Filters