Exam 25: Chinese and Korean Art After 1279

Explain the dry brush technique. Identify an artist and a work associated with this technique.

A treasured scroll often bears not only the __________ of its maker, but also those of collectors and admirers throughout the centuries.

The Joseon court dispatched artists from the royal painting academy to the kilns 30 miles southeast of Seoul to train __________.

What is porcelain? How did it acquire its name? How is it produced? Cite an example.

Shitao's Landscape is characteristic of the highly personal approach of ___________painters in the Qing dynasty.

Dong Qichang based his ideas about China's Northern and Southern schools of painting on ________________.

How does Zhao Mengfu's Autumn Colors on the Qiao and Hua Mountains reflect the literati's taste for the "spirit of antiquity"?

How did China view itself in relation to the rest of the world?

One of the major distinctions made in Chinese painting is between 2 styles; scholarly/literati and__________.

Discuss the rise of literati painting in Chinese art history. Using specific examples, discuss the philosophical and artistic characteristics of these works and their historical relationship to China's imperial dynasties.

Who was the primary audience of literati paintings?

In the principle of the __________, a projecting element of one piece fits so snugly and smoothly into a cavity of another piece that no glue or nails are needed.

Prior to the Song dynasty, _________ had set the tone for artistic taste.

Which painting format was NOT favored by members of the literati?

__________ painted The Rongxi Studio , using a dry brush technique.

Korean secular painting came into its own during the __________ dynasty.

The Horizontal Wine Bottle with Decoration of a Bird Carrying a Newly Caught Fish is an example of sixteenth-century __________ware.

The newly established Joseon dynasty of __________ patterned its government after Ming-dynasty China.

Discuss the use of seals in Chinese painting? What was their function and how do they contribute to a particular work of art?

Compare the production of ceramics in China and Korea. Consider the relationship of the two cultures and how each developed distinctive stylistic traditions in these works.