Question 1

Rembrandt's study of Italian Renaissance art was done mostly through ___________________.

Accepted Answer

A)  travel to Italy in the early years of his career 
B)  engravings and paintings imported through the Amsterdam art market 
C)  his access to private art collections in Amsterdam 
D)  his frequent travel to foreign courts 
A)  travel to Italy in the early years of his career 
B)  engravings and paintings imported through the Amsterdam art market 
C)  his access to private art collections in Amsterdam 
D)  his frequent travel to foreign courts

Question 2

At the end of the sixteenth century, __________ made it a major goal of the Counter-Reformation to embellish the church and renew Rome.

Accepted Answer

A)  Pope Francis I 
B)  Pope Domenico 
C)  Pope Sixtus V 
D)  Pope Julius II 
A)  Pope Francis I 
B)  Pope Domenico 
C)  Pope Sixtus V 
D)  Pope Julius II

Question 3

In the seventeenth century after a period of relative autonomy, __________ returned to direct Spanish rule.

Accepted Answer

A)  Austria 
B)  Florence 
C)  Paris 
D)  Flanders 
A)  Austria 
B)  Florence 
C)  Paris 
D)  Flanders

Question 4

The undulating façade and building of the Church of San Carlo Alle Quattro Fontane is the work of __________.

Accepted Answer

A)  Pietro da Cortona 
B)  Caravaggio 
C)  Borromini 
D)  Maderno 
A)  Pietro da Cortona 
B)  Caravaggio 
C)  Borromini 
D)  Maderno

Question 5

The Banqueting House, Whitehall Palace demonstrates the influence of __________Classicizing style on Inigo Jones in England

Accepted Answer

A)  Palladio's 
B)  Michelangelo's 
C)  the Greek's 
D)  Lescot's 
A)  Palladio's 
B)  Michelangelo's 
C)  the Greek's 
D)  Lescot's

Question 6

Gaulli's The Triumph of the Name of Jesus and the Fall of the Damned is on the ceiling of the __________.

Accepted Answer

A)  Church of Il Gesù 
B)  Vatican 
C)  Palazzo Barberini 
D)  Palazzo Farnese 
A)  Church of Il Gesù 
B)  Vatican 
C)  Palazzo Barberini 
D)  Palazzo Farnese

Question 7

Most of Caravaggio's commissions after 1600 were __________.

Accepted Answer

A)  landscapes 
B)  portraits 
C)  religious 
D)  genre scenes 
A)  landscapes 
B)  portraits 
C)  religious 
D)  genre scenes

Question 8

How did the patronage change in seventeenth-century art and what impact did it have on art?

Accepted Answer

In the seventeenth century, patronage in

Question 9

What is Baroque naturalism?

Accepted Answer

Baroque naturalism is an artistic style

Exam 23: Seventeenth-century Art in Europe

Rembrandt's study of Italian Renaissance art was done mostly through ___________________.

At the end of the sixteenth century, __________ made it a major goal of the Counter-Reformation to embellish the church and renew Rome.

In the seventeenth century after a period of relative autonomy, __________ returned to direct Spanish rule.

The undulating façade and building of the Church of San Carlo Alle Quattro Fontane is the work of __________.

The Banqueting House, Whitehall Palace demonstrates the influence of __________Classicizing style on Inigo Jones in England

Gaulli's The Triumph of the Name of Jesus and the Fall of the Damned is on the ceiling of the __________.

Most of Caravaggio's commissions after 1600 were __________.

How did the patronage change in seventeenth-century art and what impact did it have on art?

What is Baroque naturalism?

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