Exam 21: Sixteenth-century Art in Italy

The ________________ of Fontana's Noli me Tangere is typical of Late Mannerist painting.

Discuss the emergence of Mannerism in the sixteenth century. Consider its similarities and differences to art of the High Renaissance and its influence on subsequent Italian art.

The current attribution of The Pastoral Concert or Allegory on the Invention of Pastoral Poetry is to the artist __________.

Along with Perugino, ____________ was an important influence on the youthful Raphael.

__________ was called before the Inquisition for placing Jesus in the company of unsavory characters in the painting Feast in the House of Levi .

How does Michelangelo's David differ from the classical sculpture that inspired it?

Pope Julius II's private library was painted by __________.

The Last Supper by Leonardo da Vinci was painted at a monastery in __________.

Cellini's fanciful ____________made for King Francis I demonstrates how Mannerist practices in painting were transferred into exquisite sculptures.

What was the debate between painting and sculpture during the High Italian Renaissance?

____________ was the first pope to pursue church reform in response to Protestants.

How did Michelangelo alter Bramante's plan for St. Peter's Basilica?

What distinguished Venetian painting of the late sixteenth century from works done in other Italian cities?

For what reasons did Michelangelo's art change?

Giorginone focused on the _____________ in The Tempest as much as the figures

The use of tempera gave way to __________ painting technique in the High Italian Renaissance.

__________ was the first architect of Il Gesù .

Michelangelo's Pietà was installed as a tomb monument in __________.

Recent scholarship suggests that Titian's "Venus" of Urbino (21-28) was meant to represent_____________.

Who were the main figures in the Venetian Renaissance?