Exam 19: Fifteenth-century Art in Northern Europe

__________ emerged in Europe at the end of the fourteenth century with the development of printing presses and the wider availability of paper.

Characterized by slender figures and miniature landscape settings the _____________ became the prevailing manner of late fourteenth-century Europe.

Discuss the achievements of Roger van der Weyden. Cite specific works of art, address style, technique, subject matter, and patronage.

Describe the types of patronage available in fifteenth-century Flanders. Was the Church the only option?

The earliest printed books were __________ books.

__________ was first achieved in the workshop of Johann Gutenberg in Germany.

Discuss the Flemish school of painting in the fifteenth century. Address its origins, technique, major artists, individual styles, commissions, and subject matter.

How does Martin Schongauer's intensify the moment portrayed in his Demons Tormenting St. Anthony ?

Which of the following was NOT a reason that the Flemish style of art became popular outside Flanders?

In the fifteenth century, Germanic artists worked in two very different styles. Identify these two styles and discuss one of these in relation to Konrad Witz.

A contemporary of Robert Campin, __________, was a painter of renown in the court of Philip the Good.

The distinctive character of Claus Sluter's sculpture can still be seen in the surviving parts of his monumental __________.