Exam 18: Fourteenth-century Art in Europe
Exam 1: Prehistoric Art in Europ97 Questions
Exam 2: Art of the Ancient Near East84 Questions
Exam 3: Art of Ancient Egypt108 Questions
Exam 4: Art of the Ancient Aegean75 Questions
Exam 5: Art of Ancient Greece131 Questions
Exam 6: Etruscan and Roman Art113 Questions
Exam 7: Jewish and Early Christian Art58 Questions
Exam 8: Byzantine Art60 Questions
Exam 9: Islamic Art87 Questions
Exam 10: Art of South and Southeast Asia Before 120078 Questions
Exam 11: Chinese and Korean Art Before 127979 Questions
Exam 12: Japanese Art Before 133354 Questions
Exam 13: Art of the Americas Before 130066 Questions
Exam 14: Early African Art59 Questions
Exam 15: Early Medieval Art in Europe64 Questions
Exam 16: Romanesque Art89 Questions
Exam 17: Gothic Art of the Twelfth and Thirteenth Centuries76 Questions
Exam 18: Fourteenth-century Art in Europe81 Questions
Exam 19: Fifteenth-century Art in Northern Europe92 Questions
Exam 20: Renaissance Art in Fifteenth-century Italy86 Questions
Exam 21: Sixteenth-century Art in Italy91 Questions
Exam 22: Sixteenth-century Art in Northern Europe and the Iberian Peninsula88 Questions
Exam 23: Seventeenth-century Art in Europe89 Questions
Exam 24: Art of South and Southeast Asia After 120088 Questions
Exam 25: Chinese and Korean Art After 127989 Questions
Exam 26: Japanese Art After 133387 Questions
Exam 27: Art of the Americas After 130086 Questions
Exam 28: Art of Pacific Cultures86 Questions
Exam 29: Art of Africa in the Modern Era86 Questions
Exam 30: Eighteenth- and Early-nineteenth Century Art in Europe and North America93 Questions
Exam 31: Mid-to Late Nineteenth-century Art in Europe and the United States85 Questions
Exam 32: Modern Art in Europe and the Americas, 1900-195096 Questions
Exam 33: The International Scene Since 195086 Questions
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What sociological change may have encouraged the innovative developments in Italian art of the fourteenth century?
(Multiple Choice)
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What were the primary artistic influences on fourteenth-century Italian painters.
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Discuss the different phases of construction for Exeter Cathedral.
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The recognizable cityscape in Ambrogio Lorenzetti's The Effects of Good Government in the City and in the Country is a tribute to his patron_____________.
(Multiple Choice)
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Located in the city hall in Siena, the council room was known as the __________.
(Multiple Choice)
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__________ was commissioned to paint the Scrovegni (Arena) Chapel .
(Multiple Choice)
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The __________, surrounded by a court of angels and Siena's patron saints, are the subject of the Maestà's (18-10) central panel.
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The Book of Hours of Jeanne d'Evreux by __________ contains special prayers to be recited during the day and into the evening.
(Multiple Choice)
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The ___________ style of English architecture heralded the Renaissance in its regularity and balance.
(Multiple Choice)
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In England, during the later years of the thirteenth century and the early years of the fourteenth century, a distinctive and influential style developed, known as __________.
(Multiple Choice)
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The term "modeling" refers to ___________________, which allows artists to simulate three-dimensional forms in painted figures.
(Multiple Choice)
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What stylistic element of The Book of Hours of Jeanne D'Évreux suggests that the artist was familiar with contemporary Sienese art?
(Multiple Choice)
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The elaborate bishop's throne at Exeter Cathedral resembles_______________.
(Multiple Choice)
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How did the Holy Roman Empire change during the fourteenth century?
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The __________ family became the most successful architects in the Holy Roman Empire.
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The most complete Decorated-style building is the __________.
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