Exam 16: The international scene since 1950
Exam 1: Fourtheenth-Century Art in Europe81 Questions
Exam 2: Fifteenth-century Art in Northern Europe91 Questions
Exam 3: Renaissance art in fifteenth-century Italy86 Questions
Exam 4: Sixteenth-century art in Italy91 Questions
Exam 5: sixteenth-century art in northern Europe and the Iberian peninsula88 Questions
Exam 6: Seventeenth-Century art in Europe89 Questions
Exam 7: art of south and southeast Asia after 120088 Questions
Exam 8: Chinese and Korean art after 127989 Questions
Exam 9: Japanese art after 133387 Questions
Exam 10: Art of the Americas after 130086 Questions
Exam 11: art of pacific cultures86 Questions
Exam 12: art of Africa in the modern era86 Questions
Exam 13: Eighteenth- and early-nineteenth century art in Europe and NORTH America93 Questions
Exam 14: mid-to late nineteenth-century art in Europe and the united states85 Questions
Exam 15: modern art in Europe and the Americas, 1900-195096 Questions
Exam 16: The international scene since 195086 Questions
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In 1982,critic Craig Owens argued that __________ and photographers were best able to represent Postmodernism's challenge to Modernist tradition and authority.
(Multiple Choice)
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Deconstructivist architecture deliberately departed from traditional architecture by creating _____________.
(Multiple Choice)
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Saarinen wanted to evoke the excitement of air travel in his expressive and swooping design for a/an __________.
(Multiple Choice)
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Christo and Jeanne-Claude are known for their temporary,__________ artworks.
(Multiple Choice)
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What traditional institution does Fred Wilson critique in his interventionist installations?
(Multiple Choice)
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High Tech architecture is frequently characterized by ___________________.
(Multiple Choice)
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Jeff Wall creates his ________________ like a movie director by carefully designing the sets and posing his actors.
(Multiple Choice)
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____________________ architecture rejected the purity,uniformity,and abstraction of the International Style.
(Multiple Choice)
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A major aim of first-generation feminist artists was _______________.
(Multiple Choice)
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Robert Smithson's Spiral Jetty is a permanent _______________,which is intended to reflect the "ongoing dialectic" of constructive and destructive forces in nature.
(Multiple Choice)
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Kiki Smith is a Postmodern sculptor interested in the __________.
(Multiple Choice)
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Because her figures are all silhouettes,which does not identify race,the artist Kara Walker forces the viewer to read the narrative by ___________________.
(Multiple Choice)
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Although initially a revolutionary style,_____________ architecture came to stand for corporate wealth and power.
(Multiple Choice)
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__________ heralded a post-industrial,advanced capitalist society.
(Multiple Choice)
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The artist Shirin Neshat' "Women of Allah" series of photographs explores how Iranian women are ______________.
(Multiple Choice)
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Many feminist artists embraced craft media because _________________.
(Multiple Choice)
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The ______________ led informally by Damian Hirst were among the most sensational of modern artists.
(Multiple Choice)
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What kinds of assaults did artists make from the 1960's to the early 1970's on artistic traditions?
(Essay)
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