Question 1

The wooden design tablet used by Samoan artists to create siapo bark cloths is called a(n)______.

Accepted Answer

A)  upeti 
B)  tapa 
C)  moai 
D)  hapu 
A)  upeti 
B)  tapa 
C)  moai 
D)  hapu

Question 2

Which material is NOT used in the production of Micronesian art?

Accepted Answer

A)  feathers 
B)  coconut and banana fibers 
C)  turtle shells 
D)  wood 
A)  feathers 
B)  coconut and banana fibers 
C)  turtle shells 
D)  wood

Question 3

How were the visual arts of the Pacific cultures connected to music,dance,and oral literature?

Accepted Answer

The visual arts of the Pacific cultures

Question 4

What is the relationship of meeting houses such as Te-Hau-ki-Turanga to the Maori's ancestors?

Accepted Answer

A)  The building is the site where tribal history and genealogy are preserved. 
B)  The building's framework depicts the tribal ancestors who symbolically uphold the structure. 
C)  The building's ridgepole and slanting bargeboards represent the tribe's founding ancestor. 
D)  All of the above. 
A)  The building is the site where tribal history and genealogy are preserved. 
B)  The building's framework depicts the tribal ancestors who symbolically uphold the structure. 
C)  The building's ridgepole and slanting bargeboards represent the tribe's founding ancestor. 
D)  All of the above.

Question 5

People in the Marshall Islands relied on stick charts called wapepe or mattang ,which ____________.

Accepted Answer

A)  show navigational routes connecting islands 
B)  show a schematic diagram of ocean currents and wave patterns 
C)  are shells and sticks held together by coconut fibers 
D)  all of the above 
A)  show navigational routes connecting islands 
B)  show a schematic diagram of ocean currents and wave patterns 
C)  are shells and sticks held together by coconut fibers 
D)  all of the above

Question 6

In 1980,which man became the first Marquesan in modern times to be fully tattooed?

Accepted Answer

A)  Raharuhi Rukupo 
B)  Teve Tupuhia 
C)  Clifford Tjapaltjarri 
D)  Shigeyuki Kihara 
A)  Raharuhi Rukupo 
B)  Teve Tupuhia 
C)  Clifford Tjapaltjarri 
D)  Shigeyuki Kihara

The wooden design tablet used by Samoan artists to create siapo bark cloths is called a(n)______.

Which material is NOT used in the production of Micronesian art?

How were the visual arts of the Pacific cultures connected to music,dance,and oral literature?

What is the relationship of meeting houses such as Te-Hau-ki-Turanga to the Maori's ancestors?

People in the Marshall Islands relied on stick charts called wapepe or mattang ,which ____________.

In 1980,which man became the first Marquesan in modern times to be fully tattooed?

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

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Exam 11: art of pacific cultures

The wooden design tablet used by Samoan artists to create siapo bark cloths is called a(n)______.

Which material is NOT used in the production of Micronesian art?

How were the visual arts of the Pacific cultures connected to music,dance,and oral literature?

What is the relationship of meeting houses such as Te-Hau-ki-Turanga to the Maori's ancestors?

People in the Marshall Islands relied on stick charts called wapepe or mattang ,which ____________.

In 1980,which man became the first Marquesan in modern times to be fully tattooed?

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters