Question 1

What changes occurred in the production of Native American beadwork after European contact?

Accepted Answer

A)  Native artists began to use glass beads from Venice and Bohemia. 
B)  Decorative beadwork became commonplace. 
C)  Native artists adapted European needlework techniques and floral designs. 
D)  All of the above. 
A)  Native artists began to use glass beads from Venice and Bohemia. 
B)  Decorative beadwork became commonplace. 
C)  Native artists adapted European needlework techniques and floral designs. 
D)  All of the above.

Question 2

__________ divided the city of Tenochtitlan into four quarters.

Accepted Answer

A)  Temples 
B)  Gaming areas 
C)  Waterways 
D)  Houses 
A)  Temples 
B)  Gaming areas 
C)  Waterways 
D)  Houses

Question 3

Which statement best describes the interests of Native American Jaune Quick-to-See Smith ?

Accepted Answer

A)  She wants to revive native traditions and art forms in contemporary art. 
B)  She emphasizes the functional/craft role of Native American art. 
C)  She makes art that reflects her ethnic identity, as well as its relationship to Western culture. 
D)  She argues her Native American ancestry is irrelevant to her role as a contemporary artist. 
A)  She wants to revive native traditions and art forms in contemporary art. 
B)  She emphasizes the functional/craft role of Native American art. 
C)  She makes art that reflects her ethnic identity, as well as its relationship to Western culture. 
D)  She argues her Native American ancestry is irrelevant to her role as a contemporary artist.

Question 4

After the Spanish invasion,Aztec craftspeople adapted their skills to create ___________of Christian subjects.

Accepted Answer

A)  gold and silver sculptures 
B)  feather paintings 
C)  woven textiles 
D)  manuscripts 
A)  gold and silver sculptures 
B)  feather paintings 
C)  woven textiles 
D)  manuscripts

Question 5

What features did the Aztecs and Incas share in their art?

Accepted Answer

The Aztecs and Incas, two of the most pr

Question 6

What is one impact of the arrival of Europeans in Mesoamerica?

Accepted Answer

One significant impact of the arrival of

Question 7

Why does animal imagery feature prominently in Northwest Coast art?

Accepted Answer

A)  it assists the clan in meditation and prayer 
B)  animals are sacred to Northwest clans and not to be eaten 
C)  each extended family clan traces their lineage back to a mythical animal 
D)  there are rules in the clans against any portrayal of humans in art 
A)  it assists the clan in meditation and prayer 
B)  animals are sacred to Northwest clans and not to be eaten 
C)  each extended family clan traces their lineage back to a mythical animal 
D)  there are rules in the clans against any portrayal of humans in art

Question 8

What visual feature is NOT typical of Chilkat Tlingit blankets ?

Accepted Answer

A)  stylized animal images composed of ovoids and formlines 
B)  fringe formed from loose hanging warp threads 
C)  intricate geometric patterns made using undyed sheep's wool 
D)  symmetrical designs 
A)  stylized animal images composed of ovoids and formlines 
B)  fringe formed from loose hanging warp threads 
C)  intricate geometric patterns made using undyed sheep's wool 
D)  symmetrical designs

Question 9

The Spanish were not interested in Inca __________,but in the vast quantities of gold and silver.

Accepted Answer

A)  mountains 
B)  textiles 
C)  architecture 
D)  feathers 
A)  mountains 
B)  textiles 
C)  architecture 
D)  feathers

Question 10

Dorothy Dunn helped Native Americans of the Southwest paint in a stereotypical __________ style.

Accepted Answer

A)  European 
B)  Indian 
C)  Asian 
D)  African 
A)  European 
B)  Indian 
C)  Asian 
D)  African

Question 11

The bronze sculpture The Spirit of Haida Gwaii outside the Canadian Embassy in Washington,

Accepted Answer

A)  Bill Reid 
B)  Hosteen Klah 
C)  Jaune Quick-to-See Smith 
D)  Ramona Sakiestewa 
E) C . was created by which artist? 
A)  Bill Reid 
B)  Hosteen Klah 
C)  Jaune Quick-to-See Smith 
D)  Ramona Sakiestewa 
E) C . was created by which artist?

Question 12

What were the building traditions of the Incas?

Accepted Answer

The answer of What were the building traditions of the...

Question 13

A robe collected by Lewis and Clark on their 1804-06 expedition into western lands was eventually displayed at __________.

Accepted Answer

A)  church 
B)  Monticello 
C)  night 
D)  home 
A)  church 
B)  Monticello 
C)  night 
D)  home

Question 14

Northwest painting and weaving images are composed of two basic elements: the __________ and the formline.

Accepted Answer

A)  bear 
B)  bull 
C)  scribe 
D)  ovoid 
A)  bear 
B)  bull 
C)  scribe 
D)  ovoid

Question 15

Traditional designs used in quillwork and beadwork are characterized by ___________.

Accepted Answer

A)  floral motifs 
B)  rectilinear organization 
C)  abstract curvilinear patterns 
D)  ovoid shapes and formlines 
A)  floral motifs 
B)  rectilinear organization 
C)  abstract curvilinear patterns 
D)  ovoid shapes and formlines

Question 16

The term __________ derives from the word Atzlan,a mythical place northwest of the Valley of Mexico.

Accepted Answer

A)  Arizona 
B)  Aztec 
C)  Atlanta 
D)  Attica 
A)  Arizona 
B)  Aztec 
C)  Atlanta 
D)  Attica

Question 17

Pottery was traditionally an art of __________ among the Pueblo peoples.

Accepted Answer

A)  children 
B)  young men 
C)  women 
D)  chiefs 
A)  children 
B)  young men 
C)  women 
D)  chiefs

Question 18

Many Native American cultures stage ritual dance ceremonies to call upon __________ spirits.

Accepted Answer

A)  feather 
B)  guardian 
C)  neighbor 
D)  future 
A)  feather 
B)  guardian 
C)  neighbor 
D)  future

Question 19

How is beadwork related to quillwork?

Accepted Answer

Beadwork and quillwork are both traditio

Question 20

Native Americans especially prized __________ glass beads and silver.

Accepted Answer

A)  Woodland 
B)  European 
C)  Japanese 
D)  Chinese 
A)  Woodland 
B)  European 
C)  Japanese 
D)  Chinese

What changes occurred in the production of Native American beadwork after European contact?

__________ divided the city of Tenochtitlan into four quarters.

Which statement best describes the interests of Native American Jaune Quick-to-See Smith ?

After the Spanish invasion,Aztec craftspeople adapted their skills to create ___________of Christian subjects.

What features did the Aztecs and Incas share in their art?

What is one impact of the arrival of Europeans in Mesoamerica?

Why does animal imagery feature prominently in Northwest Coast art?

What visual feature is NOT typical of Chilkat Tlingit blankets ?

The Spanish were not interested in Inca __________,but in the vast quantities of gold and silver.

Dorothy Dunn helped Native Americans of the Southwest paint in a stereotypical __________ style.

The bronze sculpture The Spirit of Haida Gwaii outside the Canadian Embassy in Washington,

What were the building traditions of the Incas?

A robe collected by Lewis and Clark on their 1804-06 expedition into western lands was eventually displayed at __________.

Northwest painting and weaving images are composed of two basic elements: the __________ and the formline.

Traditional designs used in quillwork and beadwork are characterized by ___________.

The term __________ derives from the word Atzlan,a mythical place northwest of the Valley of Mexico.

Pottery was traditionally an art of __________ among the Pueblo peoples.

Many Native American cultures stage ritual dance ceremonies to call upon __________ spirits.

How is beadwork related to quillwork?

Native Americans especially prized __________ glass beads and silver.

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

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Exam 10: Art of the Americas after 1300

What changes occurred in the production of Native American beadwork after European contact?

__________ divided the city of Tenochtitlan into four quarters.

Which statement best describes the interests of Native American Jaune Quick-to-See Smith ?

After the Spanish invasion,Aztec craftspeople adapted their skills to create ___________of Christian subjects.

What features did the Aztecs and Incas share in their art?

What is one impact of the arrival of Europeans in Mesoamerica?

Why does animal imagery feature prominently in Northwest Coast art?

What visual feature is NOT typical of Chilkat Tlingit blankets ?

The Spanish were not interested in Inca __________,but in the vast quantities of gold and silver.

Dorothy Dunn helped Native Americans of the Southwest paint in a stereotypical __________ style.

The bronze sculpture The Spirit of Haida Gwaii outside the Canadian Embassy in Washington,

What were the building traditions of the Incas?

A robe collected by Lewis and Clark on their 1804-06 expedition into western lands was eventually displayed at __________.

Northwest painting and weaving images are composed of two basic elements: the __________ and the formline.

Traditional designs used in quillwork and beadwork are characterized by ___________.

The term __________ derives from the word Atzlan,a mythical place northwest of the Valley of Mexico.

Pottery was traditionally an art of __________ among the Pueblo peoples.

Many Native American cultures stage ritual dance ceremonies to call upon __________ spirits.

How is beadwork related to quillwork?

Native Americans especially prized __________ glass beads and silver.

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters