Question 1

Murillo worked in __________,despite its decline after an outbreak of the plague in 1649.

Accepted Answer

A)  Antwerp 
B)  Toledo 
C)  Madrid 
D)  Seville 
A)  Antwerp 
B)  Toledo 
C)  Madrid 
D)  Seville

Question 2

The Carracci family consciously rejected the artifice of ______________ instead fusing their style with the Italian High Renaissance.

Accepted Answer

A)  etching 
B)  Mannerism 
C)  tenebrism 
D)  the poussinistes 
A)  etching 
B)  Mannerism 
C)  tenebrism 
D)  the poussinistes

Question 3

How did portraiture change in the seventeenth century?

Accepted Answer

In the seventeenth century, portraiture

Question 4

The __________ family,two brothers and a cousin,founded an art academy in Bologna.

Accepted Answer

A)  Cortona 
B)  Tassi 
C)  Borromini 
D)  Carracci 
A)  Cortona 
B)  Tassi 
C)  Borromini 
D)  Carracci

Question 5

Rubens was known for __________________.

Accepted Answer

A)  his large studio with assistants who specialized in particular details 
B)  his humble demeanor and private working habits 
C)  his extensive financial problems that resulted in his dying penniless and alone 
D)  emphasis on linear clarity in drawing 
A)  his large studio with assistants who specialized in particular details 
B)  his humble demeanor and private working habits 
C)  his extensive financial problems that resulted in his dying penniless and alone 
D)  emphasis on linear clarity in drawing

Question 6

What innovative device did Hals introduce in the painting of group portraits?

Accepted Answer

A)  They placed the figures symmetrically according to height. 
B)  They included distinctive symbols that identified each sitter. 
C)  Figures were depicted as engaged in a lively social event. 
D)  Figures were shown in allegorical roles from mythology or biblical stories. 
A)  They placed the figures symmetrically according to height. 
B)  They included distinctive symbols that identified each sitter. 
C)  Figures were depicted as engaged in a lively social event. 
D)  Figures were shown in allegorical roles from mythology or biblical stories.

Question 7

Which of the following was NOT a part of Le Nôtre's design for the gardens at Versailles?

Accepted Answer

A)  fountains 
B)  parterres 
C)  winding stone paths 
D)  sculpture 
A)  fountains 
B)  parterres 
C)  winding stone paths 
D)  sculpture

Question 8

The undulating façade and building of the Church of San Carlo Alle Quattro Fontane is the work of __________.

Accepted Answer

A)  Pietro da Cortona 
B)  Caravaggio 
C)  Borromini 
D)  Maderno 
A)  Pietro da Cortona 
B)  Caravaggio 
C)  Borromini 
D)  Maderno

Question 9

What is group portraiture and how did Dutch Baroque artists refine it?

Accepted Answer

Group portraiture is a type of painting

Murillo worked in __________,despite its decline after an outbreak of the plague in 1649.

The Carracci family consciously rejected the artifice of ______________ instead fusing their style with the Italian High Renaissance.

How did portraiture change in the seventeenth century?

The __________ family,two brothers and a cousin,founded an art academy in Bologna.

Rubens was known for __________________.

What innovative device did Hals introduce in the painting of group portraits?

Which of the following was NOT a part of Le Nôtre's design for the gardens at Versailles?

The undulating façade and building of the Church of San Carlo Alle Quattro Fontane is the work of __________.

What is group portraiture and how did Dutch Baroque artists refine it?

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters

Exam 6: Seventeenth-Century art in Europe

Murillo worked in __________,despite its decline after an outbreak of the plague in 1649.

The Carracci family consciously rejected the artifice of ______________ instead fusing their style with the Italian High Renaissance.

How did portraiture change in the seventeenth century?

The __________ family,two brothers and a cousin,founded an art academy in Bologna.

Rubens was known for __________________.

What innovative device did Hals introduce in the painting of group portraits?

Which of the following was NOT a part of Le Nôtre's design for the gardens at Versailles?

The undulating façade and building of the Church of San Carlo Alle Quattro Fontane is the work of __________.

What is group portraiture and how did Dutch Baroque artists refine it?

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Renaissance art in fifteenth-century Italy

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters