Question 1

The family of artist Andrea della Robbia is best known for their ___________________.

Accepted Answer

A)  distinctive glazes and ceramic production 
B)  skillful metalworking practice 
C)  elaborate carved woodwork on cassoni 
D)  revival of the lost-wax method of bronze casting 
A)  distinctive glazes and ceramic production 
B)  skillful metalworking practice 
C)  elaborate carved woodwork on cassoni 
D)  revival of the lost-wax method of bronze casting

Question 2

The Florentine painter __________ was also a Dominican monk.

Accepted Answer

A)  Verrocchio 
B)  Masaccio 
C)  Fra Angelico 
D)  Donatello 
A)  Verrocchio 
B)  Masaccio 
C)  Fra Angelico 
D)  Donatello

Question 3

The term "Renaissance" refers to a revived interest in _________________culture that emerged in the fourteenth and fifteenth centuries.

Accepted Answer

A)  Etruscan 
B)  Classical 
C)  Byzantine 
D)  Gothic 
A)  Etruscan 
B)  Classical 
C)  Byzantine 
D)  Gothic

Question 4

The detailed landscape,symbolic details and luminous palette of Bellini's St.Francis in Ecstasy is reminiscent of _______________.

Accepted Answer

A)  Trecento art 
B)  frescos in the Brancacci Chapel 
C)  Flemish art 
D)  Andrea della Robbia 
A)  Trecento art 
B)  frescos in the Brancacci Chapel 
C)  Flemish art 
D)  Andrea della Robbia

Question 5

In fifteenth-century Italy,__________ were the men whom a city-state could hire,for a sum of money,to organize and lead an army in its defense.

Accepted Answer

A)  condottiere 
B)  giornata 
C)  sinopia 
D)  maestro 
A)  condottiere 
B)  giornata 
C)  sinopia 
D)  maestro

Question 6

Reflecting its donor,the subject of Andrea Mantegna's murals in the Camera Picta of the Ducal Palace is _____________.

Accepted Answer

A)  poetic allegories of moral virtues 
B)  trompe l'oeil 
C)  the return of Ludovico Gonzaga's son 
D)  themes of romantic love 
A)  poetic allegories of moral virtues 
B)  trompe l'oeil 
C)  the return of Ludovico Gonzaga's son 
D)  themes of romantic love

The family of artist Andrea della Robbia is best known for their ___________________.

The Florentine painter __________ was also a Dominican monk.

The term "Renaissance" refers to a revived interest in _________________culture that emerged in the fourteenth and fifteenth centuries.

The detailed landscape,symbolic details and luminous palette of Bellini's St.Francis in Ecstasy is reminiscent of _______________.

In fifteenth-century Italy,__________ were the men whom a city-state could hire,for a sum of money,to organize and lead an army in its defense.

Reflecting its donor,the subject of Andrea Mantegna's murals in the Camera Picta of the Ducal Palace is _____________.

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters

Exam 3: Renaissance art in fifteenth-century Italy

The family of artist Andrea della Robbia is best known for their ___________________.

The Florentine painter __________ was also a Dominican monk.

The term "Renaissance" refers to a revived interest in _________________culture that emerged in the fourteenth and fifteenth centuries.

The detailed landscape,symbolic details and luminous palette of Bellini's St.Francis in Ecstasy is reminiscent of _______________.

In fifteenth-century Italy,__________ were the men whom a city-state could hire,for a sum of money,to organize and lead an army in its defense.

Reflecting its donor,the subject of Andrea Mantegna's murals in the Camera Picta of the Ducal Palace is _____________.

Fourtheenth-Century Art in Europe

Fifteenth-century Art in Northern Europe

Sixteenth-century art in Italy

sixteenth-century art in northern Europe and the Iberian peninsula

Seventeenth-Century art in Europe

art of south and southeast Asia after 1200

Chinese and Korean art after 1279

Japanese art after 1333

Art of the Americas after 1300

art of pacific cultures

art of Africa in the modern era

Eighteenth- and early-nineteenth century art in Europe and NORTH America

mid-to late nineteenth-century art in Europe and the united states

modern art in Europe and the Americas, 1900-1950

The international scene since 1950

Filters