Question 1

In the Mahakala ritual chant in the Listening Guide,the Tibetan Buddhist monks' chanting is accompanied by a:

Accepted Answer

A) kebaro. 
B) mdzo. 
C) rol mo. 
D) debtara. 
E) marigeta. 
A) kebaro. 
B) mdzo. 
C) rol mo. 
D) debtara. 
E) marigeta.

Question 2

Santería texts have been passed on in the diaspora primarily through written transmission.

Accepted Answer

A) True 
 B)False

Question 3

Some Santería chants may criticize or joke with the orisha.

Accepted Answer

A) True 
 B)False

Question 4

Singers of Santería chant are valued for all of the following qualities EXCEPT:

Accepted Answer

A) the beauty of their voices. 
B) their ability to be heard over the drums. 
C) their ability to engage listeners. 
D) their power of communication with the orishas. 
E) their success in creating communitas. 
A) the beauty of their voices. 
B) their ability to be heard over the drums. 
C) their ability to engage listeners. 
D) their power of communication with the orishas. 
E) their success in creating communitas.

Question 5

Since the late sixteenth century,Ethiopian Christian chant has been notated using symbols called:

Accepted Answer

A) sistra. 
B) kebaro. 
C) debtara. 
D) marigeta. 
E) melekket. 
A) sistra. 
B) kebaro. 
C) debtara. 
D) marigeta. 
E) melekket.

Question 6

The Qoma-style performance of Yome fesseha kone includes the use of ________,or male singing in a high register.

Accepted Answer

The answer of The Qoma-style performance of Yome fesseha kone...

Question 7

The texts and melodies of Ethiopian Christian chants have been passed on through the centuries because they were preserved in the dbyangs-yig songbooks.

Accepted Answer

A) True 
 B)False

Question 8

Match each item to the correct description below.
-The head musician in the Ethiopian church

Accepted Answer

A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana 
A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana

Question 9

Which of the following statements about how music relates to the ritual stages in a jazz funeral is NOT true?

Accepted Answer

A) The music clearly marks the different ritual stages. 
B) The snare drum roll marks the initiation stage. 
C) The slow hymn played during the procession to the cemetery marks the separation stage. 
D) The music's absence during interment marks the transition stage. 
E) The celebratory music played during the procession from the cemetery marks the incorporation stage. 
A) The music clearly marks the different ritual stages. 
B) The snare drum roll marks the initiation stage. 
C) The slow hymn played during the procession to the cemetery marks the separation stage. 
D) The music's absence during interment marks the transition stage. 
E) The celebratory music played during the procession from the cemetery marks the incorporation stage.

Question 10

Match each item to the correct description below.
-A ritual phrase or formula that is recited in Tibetan Buddhist chant

Accepted Answer

A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema 
A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema

Question 11

In churches in Ethiopia,chants may be accompanied by small metal idiophones called:

Accepted Answer

A) marigeta. 
B) debtara. 
C) sistra. 
D) zema. 
E) iyá. 
A) marigeta. 
B) debtara. 
C) sistra. 
D) zema. 
E) iyá.

Question 12

Match each item to the correct description below.
-An Ethiopian church musician

Accepted Answer

A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema 
A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema

Question 13

Tibetan Buddhist monks chant with accompaniment provided by the sadhana,an ensemble comprised of horns,cymbals,and drums.

Accepted Answer

A) True 
 B)False

Question 14

Match each item to the correct description below.
-A vocal slide used in Ethiopian Christian chant

Accepted Answer

A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana 
A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana

Question 15

The goal of Santería worship is:

Accepted Answer

A) to establish a relationship with orishas and seek their help. 
B) to scare away evil spirits,jinn,and other demonic forces. 
C) to achieve spiritual enlightenment through meditation. 
D) to develop a richer understanding of the afterlife. 
E) None of the above 
A) to establish a relationship with orishas and seek their help. 
B) to scare away evil spirits,jinn,and other demonic forces. 
C) to achieve spiritual enlightenment through meditation. 
D) to develop a richer understanding of the afterlife. 
E) None of the above

In the Mahakala ritual chant in the Listening Guide,the Tibetan Buddhist monks' chanting is accompanied by a:

Santería texts have been passed on in the diaspora primarily through written transmission.

Some Santería chants may criticize or joke with the orisha.

Singers of Santería chant are valued for all of the following qualities EXCEPT:

Since the late sixteenth century,Ethiopian Christian chant has been notated using symbols called:

The Qoma-style performance of Yome fesseha kone includes the use of ________,or male singing in a high register.

The texts and melodies of Ethiopian Christian chants have been passed on through the centuries because they were preserved in the dbyangs-yig songbooks.

Match each item to the correct description below. -The head musician in the Ethiopian church

Which of the following statements about how music relates to the ritual stages in a jazz funeral is NOT true?

Match each item to the correct description below. -A ritual phrase or formula that is recited in Tibetan Buddhist chant

In churches in Ethiopia,chants may be accompanied by small metal idiophones called:

Match each item to the correct description below. -An Ethiopian church musician

Tibetan Buddhist monks chant with accompaniment provided by the sadhana,an ensemble comprised of horns,cymbals,and drums.

Match each item to the correct description below. -A vocal slide used in Ethiopian Christian chant

The goal of Santería worship is:

Sound: The Materials of Music

Setting: The Study of Local Musics

Significance: Musics Meaning in Everyday Life

Music and Migration

Music and Memory

Music,mobility,and the Global Marketplace

Music and Dance

Music and Politics

Music and Identity

Epilogue

Introduction: What Is a Soundscape

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Exam 8: Music and Ritual

In the Mahakala ritual chant in the Listening Guide,the Tibetan Buddhist monks' chanting is accompanied by a:

Santería texts have been passed on in the diaspora primarily through written transmission.

Some Santería chants may criticize or joke with the orisha.

Singers of Santería chant are valued for all of the following qualities EXCEPT:

Since the late sixteenth century,Ethiopian Christian chant has been notated using symbols called:

The Qoma-style performance of Yome fesseha kone includes the use of ________,or male singing in a high register.

The texts and melodies of Ethiopian Christian chants have been passed on through the centuries because they were preserved in the dbyangs-yig songbooks.

Match each item to the correct description below. -The head musician in the Ethiopian church

Which of the following statements about how music relates to the ritual stages in a jazz funeral is NOT true?

Match each item to the correct description below. -A ritual phrase or formula that is recited in Tibetan Buddhist chant

In churches in Ethiopia,chants may be accompanied by small metal idiophones called:

Match each item to the correct description below. -An Ethiopian church musician

Tibetan Buddhist monks chant with accompaniment provided by the sadhana,an ensemble comprised of horns,cymbals,and drums.

Match each item to the correct description below. -A vocal slide used in Ethiopian Christian chant

The goal of Santería worship is:

Sound: The Materials of Music

Setting: The Study of Local Musics

Significance: Musics Meaning in Everyday Life

Music and Migration

Music and Memory

Music,mobility,and the Global Marketplace

Music and Dance

Music and Politics

Music and Identity

Epilogue

Introduction: What Is a Soundscape

Filters