Question 1

To visualize and unite with a deity,Tibetan Buddhist monks chant a ritual meditation text called a:

Accepted Answer

A) mdzo. 
B) rol mo. 
C) mandala. 
D) sadhana. 
E) brdung. 
A) mdzo. 
B) rol mo. 
C) mandala. 
D) sadhana. 
E) brdung. D

Question 2

From the Tibetan Buddhist perspective,a brdung,or beat,consists of accelerating,unequal pulses created by the cymbals.

Accepted Answer

A) True 
 B)False  True

Question 3

Which of the following terms does NOT refer to public acts of worship?

Accepted Answer

A) Trope 
B) Ritual 
C) Liturgy 
D) Liturgical order 
E) Sacred service 
A) Trope 
B) Ritual 
C) Liturgy 
D) Liturgical order 
E) Sacred service A

Question 4

For centuries,members of the Ethiopian Christian church were called to worship by the:

Accepted Answer

A) ringing of metal bells called chango. 
B) striking of stone slabs called dewel. 
C) blowing of a rhinoceros horn called the itgbo. 
D) clashing of metal strips called chimta. 
E) blowing of a long trumpet called a rag-dung. 
A) ringing of metal bells called chango. 
B) striking of stone slabs called dewel. 
C) blowing of a rhinoceros horn called the itgbo. 
D) clashing of metal strips called chimta. 
E) blowing of a long trumpet called a rag-dung.

Question 5

Match each item to the correct description below.
-A Santería rhythmic pattern

Accepted Answer

A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema 
A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema

Question 6

Followers of Santería worship African deities combined with Catholic saints called ________ or santos.

Accepted Answer

The answer of Followers of Santería worship African deities combined...

Question 7

Life-cycle rituals like weddings enact a change in a person's state that consists of:

Accepted Answer

A) one lengthy transitional stage. 
B) two stages,called initiation and conclusion. 
C) two stages,called initiation and transition. 
D) three stages,called separation,transition,and initiation. 
E) three stages,called separation,transition,and incorporation. 
A) one lengthy transitional stage. 
B) two stages,called initiation and conclusion. 
C) two stages,called initiation and transition. 
D) three stages,called separation,transition,and initiation. 
E) three stages,called separation,transition,and incorporation.

Question 8

In the first version of Yome fesseha kone in the Listening Guide,the melodic figure that provides resolution at the end of the chant is called a:

Accepted Answer

A) melisma. 
B) falsetto. 
C) cadence. 
D) brdung. 
E) dewel. 
A) melisma. 
B) falsetto. 
C) cadence. 
D) brdung. 
E) dewel.

Question 9

In the late twentieth century,music in the Ethiopian church expanded through the development of congregational hymns,called ________ ________ ________,that were frequently sung by children and women.

Accepted Answer

The answer of In the late twentieth century,music in the...

Question 10

The Mahakala ritual is dedicated to:

Accepted Answer

A) a sixth-century saint. 
B) an animal spirit related to the yak. 
C) a saint representing virility and thunder. 
D) a wrathful force worshipped as a protector. 
E) None of the above 
A) a sixth-century saint. 
B) an animal spirit related to the yak. 
C) a saint representing virility and thunder. 
D) a wrathful force worshipped as a protector. 
E) None of the above

Question 11

Match each item to the correct description below.
-The largest and lowest-pitched of the three batá drums used in Santería music

Accepted Answer

A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana 
A) iyá 
B) santero 
C) marigeta 
D) rekrek 
E) sadhana

Question 12

The large,two-headed drum that provides the rhythmic patterns for liturgical dance in the Ethiopian church is called the ________.

Accepted Answer

The answer of The large,two-headed drum that provides the rhythmic...

Question 13

Match each item to the correct description below.
-Ethiopian Christian chant

Accepted Answer

A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema 
A) debtara 
B) mantra 
C) toque 
D) Mahlet 
E) zema

Question 14

Yome fesseha kone is one of the angergari,or "excitement," chants sung in the Ethiopian church.

Accepted Answer

A) True 
 B)False

Question 15

Music often obscures the different stages in a rite of passage.

Accepted Answer

A) True 
 B)False

Question 16

Parades,sporting events,and concerts share several formal characteristics with rituals.

Accepted Answer

A) True 
 B)False

Question 17

Ethiopian Christian chant is sung with instrumental accompaniment and dancing.

Accepted Answer

A) True 
 B)False

Question 18

The Ethiopian Sunday School song Kasamay waradat (He Descended from Heaven)is in:

Accepted Answer

A) A B form. 
B) A B A form. 
C) verse-refrain form. 
D) strophic form. 
E) call-and-response style. 
A) A B form. 
B) A B A form. 
C) verse-refrain form. 
D) strophic form. 
E) call-and-response style.

Question 19

How has Ethiopian Christian music changed in response to developments in Ethiopia and in the diaspora in the late twentieth century?

Accepted Answer

Ethiopian Christian music has undergone

Question 20

A diagram used in Buddhism and Hinduism to map various levels of reality,from the cosmic to the personal,is called a ________.

Accepted Answer

The answer of A diagram used in Buddhism and Hinduism...

To visualize and unite with a deity,Tibetan Buddhist monks chant a ritual meditation text called a:

From the Tibetan Buddhist perspective,a brdung,or beat,consists of accelerating,unequal pulses created by the cymbals.

Which of the following terms does NOT refer to public acts of worship?

For centuries,members of the Ethiopian Christian church were called to worship by the:

Match each item to the correct description below. -A Santería rhythmic pattern

Followers of Santería worship African deities combined with Catholic saints called ________ or santos.

Life-cycle rituals like weddings enact a change in a person's state that consists of:

In the first version of Yome fesseha kone in the Listening Guide,the melodic figure that provides resolution at the end of the chant is called a:

In the late twentieth century,music in the Ethiopian church expanded through the development of congregational hymns,called ,that were frequently sung by children and women.

The Mahakala ritual is dedicated to:

Match each item to the correct description below. -The largest and lowest-pitched of the three batá drums used in Santería music

The large,two-headed drum that provides the rhythmic patterns for liturgical dance in the Ethiopian church is called the ________.

Match each item to the correct description below. -Ethiopian Christian chant

Yome fesseha kone is one of the angergari,or "excitement," chants sung in the Ethiopian church.

Music often obscures the different stages in a rite of passage.

Parades,sporting events,and concerts share several formal characteristics with rituals.

Ethiopian Christian chant is sung with instrumental accompaniment and dancing.

The Ethiopian Sunday School song Kasamay waradat (He Descended from Heaven)is in:

How has Ethiopian Christian music changed in response to developments in Ethiopia and in the diaspora in the late twentieth century?

A diagram used in Buddhism and Hinduism to map various levels of reality,from the cosmic to the personal,is called a ________.

Sound: The Materials of Music

Setting: The Study of Local Musics

Significance: Musics Meaning in Everyday Life

Music and Migration

Music and Memory

Music,mobility,and the Global Marketplace

Music and Dance

Music and Politics

Music and Identity

Epilogue

Introduction: What Is a Soundscape

Filters

Exam 8: Music and Ritual

To visualize and unite with a deity,Tibetan Buddhist monks chant a ritual meditation text called a:

From the Tibetan Buddhist perspective,a brdung,or beat,consists of accelerating,unequal pulses created by the cymbals.

Which of the following terms does NOT refer to public acts of worship?

For centuries,members of the Ethiopian Christian church were called to worship by the:

Match each item to the correct description below. -A Santería rhythmic pattern

Followers of Santería worship African deities combined with Catholic saints called ________ or santos.

Life-cycle rituals like weddings enact a change in a person's state that consists of:

In the first version of Yome fesseha kone in the Listening Guide,the melodic figure that provides resolution at the end of the chant is called a:

In the late twentieth century,music in the Ethiopian church expanded through the development of congregational hymns,called ________ ________ ________,that were frequently sung by children and women.

The Mahakala ritual is dedicated to:

Match each item to the correct description below. -The largest and lowest-pitched of the three batá drums used in Santería music

The large,two-headed drum that provides the rhythmic patterns for liturgical dance in the Ethiopian church is called the ________.

Match each item to the correct description below. -Ethiopian Christian chant

Yome fesseha kone is one of the angergari,or "excitement," chants sung in the Ethiopian church.

Music often obscures the different stages in a rite of passage.

Parades,sporting events,and concerts share several formal characteristics with rituals.

Ethiopian Christian chant is sung with instrumental accompaniment and dancing.

The Ethiopian Sunday School song Kasamay waradat (He Descended from Heaven)is in:

How has Ethiopian Christian music changed in response to developments in Ethiopia and in the diaspora in the late twentieth century?

A diagram used in Buddhism and Hinduism to map various levels of reality,from the cosmic to the personal,is called a ________.

Sound: The Materials of Music

Setting: The Study of Local Musics

Significance: Musics Meaning in Everyday Life

Music and Migration

Music and Memory

Music,mobility,and the Global Marketplace

Music and Dance

Music and Politics

Music and Identity

Epilogue

Introduction: What Is a Soundscape

Filters

In the late twentieth century,music in the Ethiopian church expanded through the development of congregational hymns,called ,that were frequently sung by children and women.